Tabor Winery

#286 – February 26, 2015

Tabor winery is located in Kfar Tavor, a village founded by Baron Rothschild in the shadows of the famed Tabor Mountain (from which the winery derives its name) which featured prominently in the biblical story of Debora the prophetess and Sisra and later on in Napoleon’s famed battle (and was one of the “candidates” to house the Temple).  Founded in 1999 by four families of grape growers who had been selling their grapes to other wineries for years and finally decided to utilize their quality vineyards to make their own wines.  While all four families (Sela, Peleg, Korman and Ben-Tanchom) continue to grow and sell grapes (these days, 100% of their production is for the Tabor Winery), the Sela family maintains a prominent position in the winery, with its CEO – Oren Sela (and the son of Arie Sela, one of the original growers), having managed the winery since its inception.

Arie Nesher is the winemaker and has been there since the winery’s founding.  His wine education is from the former Soviet Union, where he also worked at a major commercial winery for nearly 20 years before moving to Israel and joining the winemaking staff at Carmel for a few years, followed by a brief stint at Tishbi and finally joining Tabor in 1999, where he remains to this day at the helm of the winemaking staff.  Or Nedbach is a recent addition to the winemaking staff, having worked as Arie’s assistant in 2011 before decamping to California to continue his education at US Davis.  He recently returned to Tabor as a full-fledged winemaker (replacing Amir Sarig who had been there for the past 6-7 years).  Two other folks with whom I have interacted and are helping the winery grow and expand are David Montefiore (one of Israel’s quintessential wine families), the winery’s wine culture manager and Justin Kohn who runs export and marketing.

In 2005 the winery was producing approximately 200,000 bottles a year when it was 100% acquired by Israel’s Central Bottling Company (which also holds Israel’s Coca-Cola franchise).  They had been looking for some time to add a winery to their growing portfolio of brands (which also includes beer and spirits) and felt Tabor provided them with the substantial growth potential they were looking for.  Shortly thereafter they proceeded to pour a substantial amount of capital into the winery, investing in personnel, new equipment and vast plantings of new vineyards.  The winery now boasts some of the most advance technological equipment in the country and is putting it to good use.  Among the personnel hires, the winery counts Israeli-trained viticulturist Michal Akerman, (who joined the winery in 2009 after working at Barkan for five years with prior experience in South Africa) as one of its most important assets.  As we discuss often on these pages, the wine making starts in the vineyard and proper vineyard management and control is imperative to producing quality wines, especially in tough vintage years such as Israel has experience over the last few years, so having someone maintain tight control over what goes on in the vineyards has played a big hand in the winery’s recent qualitative improvements.  Other changes included a push into new varietals including numerous white varietals like Viognier (which they have since ceased producing – see below), Gewürztraminer and perhaps most innovatively, the aforementioned Roussanne.  Tabor was the first winery in Israel to produce a varietal of this grape and only the second kosher winery (Ernie Weir started producing a delightful version a few years earlier at Napa Valley’s Hagafen Winery).  Within a few years all of this investment started to pay off with some high-quality and innovative wines coming out of Tabor in recent vintages (although their prior incarnation of Rose was one of my favorites and the Meshcha was also often a great wine).

With an initial production of 30,000 bottles in 1999, the winery has experience significant production growth over the last few years (going from just over one million bottles in 2012 to 1.5 million in 2013 and 1.8 million in 2014 with the expectation to produce 2.1 million bottles for the 2015 Shmitah vintage year.  Annual growth thereafter is expected to be steady at 9% with a target of between 3-6 million bottles.  These numbers are significant enough to cement its place as the 5th largest winery in Israel (and its target numbers could take it much higher on the list).

After years of somewhat confusing labels and a number of changes, the winery has now simplified its branding with four major labels – Har Tavor (Mt. Tabor) (suggested retail $15), Adama (suggested retail $20), Adama II (suggested retail $30) and Limited Edition (suggested retail $50).  There is also an entry-level series of semi-sweet sparkling wines named “Pninim” (Pearls) comprised of a white (a blend of Viognier and Gewürztraminer), a red (100% Cabernet Sauvignon) and a rose (100% Cabernet Sauvignon) and a sparkling non-vintage brut called 562 (after Mount Tavor’s elevation level in meters).  The Mt. Tabor series is comprised of single varietal wines including Cabernet Sauvignon, Merlot, Shiraz, Chardonnay and a semi-dry Gewürztraminer.  The Adama (Earth) series is named after the soil from in which the respective grapes are grown and is comprised of single varietal wines including Cabernet Sauvignon, the excellent Merlot, Shiraz, the terrific Sauvignon Blanc, Gewürztraminer and the deliciously innovative Roussanne (there used to be a Viognier which was discontinued after the 2012 vintage).  The relatively newly introduced Adama II is comprised of four interesting 50-50 blends and two white wines and includes Keshet/Rainbow (Cabernet Franc and Cabernet Sauvignon), Ram/Thunder (Shiraz and Cabernet Sauvignon), Lahava/Flame (Merlot and Petit Verdot), Sufa/Storm (Petite Sirah and Cabernet Sauvignon), Tlalim (100% oaked Chardonnay) and Shachar/Dawn (100% dry Riesling being released in March).   Rounding out the collection is Tabor’s flagship wine – the Limited Edition which is named for the number of bottles in each vintage year (current vintage is 2011 and named 1/11,000) comprised of single vineyard (single plot actually) Cabernet Sauvignon from the winery’s top Har Malkia vineyard.

The winery was recently in the news after the Wine Enthusiast awarded its 2010 Adama Merlot a record-setting 93 points (especially awesome, giving the wine’s terrific QPR and the 2011 reviewed below is the current vintage which is almost as good) and its Sauvignon Blanc in the Adama series continues to win accolades (including an 89 from the Wine Enthusiast for the excellent 2103 vintage).  As with other wineries, some of the better white wines aren’t currently being imported (the Mt. Tabor Chardonnay and the excellent Adama Sauvignon Blanc are the only two white wines currently on the US shelves), but the winery expects to have some additional white treats available for the 2106 vintage (hopefully the dry Riesling reviewed below will be just as good for that vintage) including the Roussanne, Gewürztraminer and the delightful Rose (as the 2015 Shmitah vintage will not be imported in the US since Tabor is carried by Royal Wines, who don’t import any Shmitah wine).  In the interim I recommend sourcing a few bottles from Israel, especially of the delicious 2014 Rose.

Between my recent visit (where I was graciously hosted by Justin and Or) and the Sommelier Expo, I very recently tasted through all of Tabor’s wines, including a number of barrel and advance tastings.  To sum up the rather long-winder article, Tabor is much improved and is well worth seeking out and giving a try.  Listed below are a number of the Tabor wines I recently tasted that are representative of this trend and are wines I expect you will enjoy.

Shabbat Shalom and a very Happy Purim!
Yossie

Tabor, [Adama II, Shachar], Riesling, 2014:  With Israel continuing to do great things with the white varietals, another dry Riesling (joining the Carmel Kayoumi and the private-label Lueria) is a welcome addition to the portfolio, with Tabor’s version loaded with guava, pineapple, a hint of kiwi and citrus along with a rich vein of steely minerals running through it as well.  While not yet confirmed as an Adama II wine, it is very likely and the wine’s structure and richness certainly qualify it to the higher stature (and price point) afforded by the label [Only in Israel].

Tabor, Adama, Rose, 2014:  Vaulting to a premium position among Israel’s growing list of Rose wines, this wine is amazing enough to make up for the fact that Tabor abandoned its previously lovely Rose so many years ago.  Made from 100% Barbera with an ever-so-slightly note of sweetness to it, the wine has plenty of summer red fruit on both the nose and palate, with delightfully lip-smacking acidity keeping the fruit (and slight sweetness) in check, granting it a welcome austereness and providing a great backbone to this refreshing wine that has a hint of pleasing bitterness and a mineral background to give it plenty of character.  An amazing Rose of which I intend to grab as much of it as I can [Only in Israel].

Tabor, Adama, Roussanne, 2014:  After their inaugural 2012 vintage was followed by an ever more improved 2013, the 2014 vintage of this wine shows that this wine wasn’t a flash in the plan but rather intends to be a solid piece of Tabor’s growing [QPR] portfolio of wines.  With plenty of fresh-cut grass on the nose along with apricot, white peaches, cantaloupe and tropical fruits accompanied by tart citrus peel, herbal bitterness, some saline minerals and a streak of green, most of which continues on the round and mouth-filling, medium-bodied palate, this wine is truly a delight and one that provides a counter-measure to the run of the mill wines we seem to encounter every day.  Kudos to Tabor – keep up the great work [Only in Israel]!

Tabor, Adama, Sauvignon Blanc, 2013:  Long one of Tabor’s standout wines, it is sourced from 30 year-old vines located near the winery.  A delicious wine with plenty of tropical fruit, citrus, a hint of gooseberry, fresh-cut grass on the nose with much of the same following on the medium bodied palate that add a hint of cream to the mix, along with delightfully zesty acidity keeping the plethora of fruit nicely balance, flinty minerals providing plenty of character and a streak of salinity that makes this wine exciting in addition to delicious.  Buy early and often.

Tabor, Adama, Merlot, 2011:  The 2010 vintage of this wine was the QPR miracle of the year garnering a score of 93 from the Wine Enthusiast, the highest achieved for an Israeli wine (while I think scores are ridiculous for wines, I acknowledge their marketing importance and recognize what such an achievement means for Israeli wine), and the 2011 is almost as good and remains very well-priced. For some reason I haven’t yet determined, the wine needs a LOT of airing out time (especially relative to its oak-aging and “stature”) but if you don’t have the time or the patience, you can always use a Vinaturidouble-decant or even try the blender to move things along a little quicker (I recently used this technique to open up a hyper-closed 2011 Napa Valley Reserve.  A lovely, mostly black, nose of forest fruit, earthy minerals, cigar box, and roasted coffee beans leads into a full-bodied and well-extracted palette with plenty more fruit, graphite and slate, some red cherries, more tobacco notes and a lingering finish. Significantly more layers and complexity that you might have expected, this is a real find and worth stocking up on and drinking through 2017.

Tabor, Adama, Shiraz, 2011:  The wine spent 12 months in oak, 30% of which was American oak that granted the wine a hint of intriguing green notes.  A very well balanced and bold wine with mostly black fruit on the rich nose, accompanied by a hint of blue with a medium to full bodied palate with nicely integrated tannins, roasted meat, freshly paved asphalt and spicy oak rounding out this well-priced and delicious wine.

Tabor, Adama II, Sufa, 2010:  A blend of 50% each Cabernet Sauvignon and Petite Sirah, the wine spent 12 months in French oak.  Give this wine some time to open in your glass and you are rewarded with a rich and deep nose of primarily black fruit, with some blueberries and other “blue” notes thrown in for good measure, along with blackberries, cassis, some tar and a hint of herbaceousness that pleases.  The medium to full-bodied palate has plenty more black and blue fruit along with cedar, roasted herbs, great acidity and robust tannins that provide great structure that will enable the wine to continue to develop in the bottle for a few more years.

Shirah Winery

#298 – July 9, 2015

After a short[er] newsletter last week, this week’s missive details the wonders of another boutique California winery – Shirah and as a result, is once again [ever-so-slightly] longer than usual.  Hopefully you will persevere as the story behind Weiss Brothers and their wines are well worthy of your attention.

My first encounter with the libations created by Gabriel and Shimon Weiss (a/k/a the “Weiss Brothers”) was five years ago and prior to the formal establishment of the Shirah Winery.  Way back in 2010 I had the opportunity to taste their second and third wines, both from the 2008 vintage –One Two Punch and Syraph.  These wines made it into my “California Dreaming” newsletter which [very] briefly covered a number of the exciting boutique/garagiste wineries, showcasing the potential embedded in a number of these talented winemakers. The first wine the brothers released was that single barrel of 2005 Syrah about which I wrote a few weeks ago when I covered Jonathan Hajdu and his wines, as he helped Gabe and Shimon make it (which also happens to be the only wine produced by the Weiss Brothers which I have not [yet] had the opportunity to try – hint hint).

Regardless of the fact that those first releases pre-dated the founding of Shirah Winery and weren’t “official” or “commercial” releases (whatever that means), hindsight has shown them to have been accurate predictors of what was to come and clear indicators of the winemaking path Gabe and Shimon had set out on.  While they have since (and continue to) honed their winemaking abilities and gained experience and expertise over the years, their focus on Syrah, use of high-end grapes well-known vineyards, creative blends, high alcohol yet controlled-fruit driven wines and of course awesome labels were all evident in those early days and showcased in the aforementioned two wines.  But I am skipping a bit ahead, so first some background and history.

The collective reference to Gabriel and Shimon as the “Weiss Brothers” is certainly appropriate with Shirah Wine a true team effort between the two brothers (with a little help from their sister – more on that below).  While taking slightly different roads from their native Cleveland to California wine country, thankfully they ended up in the same place.  As children, the brothers were moved from their native Cincinnati to Brooklyn in search of a more Orthodox environment (apparently Brooklyn was supposed to be a stop en route to Israel where they had extended family).  After embarking on a life trajectory that included yeshiva stints in Monsey and Israel and night classes in transportation design but had nothing to do with wine (despite being very “into” wine since turning 21), Gabe decided to try and make a career out of wine.  In yet another sign of siyata d’shmaya, Jonathan Hajdu’s brother was attending the same yeshiva and connected him with Jonathan who in turn put in a good word with the Herzog family who ended up hiring Gabe as a cellar rat in 2004.  After packing his bags and moving to the West Coast (leaving younger brother Shimon behind), it wasn’t long before Gabe (together with Jonathan and another buddy – Yoni) had the opportunity to make the aforementioned inaugural “Weiss Wine”.  While not yet a “Shirah” or even a “Weiss Brothers” wine (Shimon was still living in New York and didn’t participate), it was the wine that set the stage for all the good things to come.  An extra room in Gabe’s apartment served as the fermentation room and Yoni’s garage was where the barrel was aged (a legitimate California “garagiste wine”).  However by the time bottling time came around both Yoni and Jon were in Israel, leaving all the work and naming rights to Gabe.  A local Kabbalist suggested the Shirah name and with the Syrah/Shirah play on words, the name fit (and stuck when the official winery was launched).  The label was designed by Yael Miller, co-founder of brand agency Miller Creative and a “Weiss Sister”, who has designed all of their labels since and is the brains behind some of the most uniquely cool labels a kosher wine has ever seen.  After that initial success and obviously being bitten by the winemaking bug, it took a few more years before he was able to try his hand again and in the interim, continued to work hard at Herzog, learning anything and everything he could about winemaking (he also assisted in a few Covenant harvests, during the time they were housed at Herzog’s facility).

It wasn’t until three years later that Shimon finally woke up and heeded wine’s siren call.  After a number of years working in construction, Shimon realized that he needed to be the master of his own domain.  Debating between staying in Monsey to build a construction business and joining his siblings in California ended up being a pretty simple decision and in 2007 Shimon packed his bags and headed west.  After spending nearly a year resisting and working in cabinetry, he finally acquiesced and joined Herzog to assist with the 2008 harvest.  With the Weiss Brothers back together again and the seeds planted for what was to become Shirah, the brothers joined forces that year with Jack Levin and acquired Syrah and Grenache grapes from which they made four barrels of two different wines (“One Two Punch” and “Syraph” – see the notes and additional details in the tasting notes below).  Using space in Oreana, Winery (a cooperative non-kosher winery owned by a friend) the brothers made the wine and fermented and aged it in a friend’s garage (once again literally making “garagiste” wine).  Shimon’s carpentry skills came in handy when they needed a way to keep the wines separate from everyone else in the non-kosher winery to ensure that they remained kosher (following in the steps of other California boutiques, they initially opted for “Cal Kosher” supervision before obtaining a more conventional hashgacha which would be acceptable to the discerning masses they were targeting.  Showcasing some of the creativity evident in many of Shirah’s wines, he concocted special lockboxes to house the wine.

Following the critical acclaim and sold out harvest, the brothers decided it was time to forge ahead and take control of their own destiny and thus Shirah Winery was officially born for the 2009 vintage.  Continuing the focus on Syrah, they sourced Syrah from two different vineyards in Santa Barbara (Thompson and McGinley) and blended them together while fermenting the wine with 2% Viognier in classic Rhone style.  The wine was made at Central Coast Wine Services (“CCWS”), a custom crush facility located in Santa Maria.  They named the resulting powerhouse of a wine Power to the People, wrapped it in one of the most incredible labels ever and let it loose on an unsuspecting market to instant adoration and much critical acclaim (including taking top spot on the Jewish Week’s 2011 Annual Wine Guide).  They also bottled each of the Syrah wines individually as single vineyard wines (sansthe Viognier); with their inaugural commercial harvest yielding approximately 3,000 bottles, across all three wines.  With Santa Maria nearly a three-hour drive from Los Angeles and very little money in the bank, the brothers spent the entire busy 2009 harvest camped out in a tent on nearby Pismo beach.

One successful vintage, regardless of how well received (and especially as small as Shirah’s was) may mean fame but certainly not fortune.  With money tight and Shirah subsisting funded on a “family and friends” shoestring budget, Gabe and Shimon took jobs in 2010 with Agua Dulce winery that had recently been acquired by a Jewish businessman who wanted to turn it into a kosher winery.  Joining Craig Winchell (of Gan Eden fame) who signed on as (and remains) head winemaker, the brothers worked at Agua Dulce for nearly three years while making their wines onsite.  As you can imagine, with a day job of manual labor one has to make a choice between sleeping and making wine.  Thankfully for us wine lovers, Gabe and Shimon made the “right” choice, persevered and continued to produce wines for Shirah while working their Agua Dulce day jobs.  Following the 2012 vintage, production levels had grown to levels that no longer made sense for Agua Dulce and provided sufficient income for the brothers to feel comfortable striking out on their own (once again).

Starting with the 2013 vintage and after making wine in four different facilities, Shirah has finally settled down in Santa Maria where they are once again making wine at CCSW.  While having their own place is certainly an improvement and a huge step towards maintaining the quality control and consistency necessary to create a future for the winery, the nearly three hour drives from their respective Los Angeles residences makes for a very long commute.  In order to maintain sanity and get a few hours of sleep as well, they rent an apartment in the area for the harvest and during winemaking season, each spend weekdays at the winery as well (although they did attempt the tent in Pismo beach for the 2013 vintage before capitulating after harvest was over).  While being away from their young families is difficult (Gabe has three little kids at home), we certainly appreciate the sacrifice (and enjoy the fruits of their labors).  While both brothers work on all aspects of the winery, Gabe is the “official” winemaker who also handles logistics while Shimon is the official “cellar master” who handles most of the business oriented aspects of the winery including marketing, sales and the fun administrative parts.  Alex Rubin recently joined the team as a harvest intern.

Starting with approximately 3,000 bottles and three different wines for their first commercial launch from the 2009 vintage, they nearly doubled production to 5,500 bottles for the 2010 vintage (when they made four different wines), maintained that production level for the 2011 vintage (when they made four wines) and again doubled production for the 2012 vintage to just over 10,000 bottles (when they produced six wines plus a n.v. wine that combined juice from the 2011 and 2012 vintages, including their first white wine and first rosé).  The 2013 vintage saw yet another massive production increase of 250% to almost 27,000 bottles spread across 12(!) different wines, three of which have not yet been released.  The same level of production was kept for the 2014 harvest as well but the brothers are currently contemplating reducing production by 25% for the 2015 harvest which will enable them better focus on the 10-12 different wines they want to stick with and enhancing their brand.  20,000 bottles is certainly a very respectable number and a few years of consistency and brand building will certainly position them well for their continued success.

With no vineyards of their own, the brothers are free to roam California wine country in search of premium grapes from well-known and high-quality vineyards.  Despite their tendency to make many different wines in relatively small quantities, with at least four official harvests released (at least three additional wines are still unreleased from the 2013 vintage and only their whites and Rosé have been released so far from the 2014 vintage) a pattern has evolved over the years for the various “series”.  The way I see it, perennial wines include a rosé and two white wines (the Viognier-based “Vintage Whites” and the new and very much welcome Grüner Veltliner).  The red wines include their two unique red blends – the spicy and aromatic Coalition and Bordeaux-blend Bro.Deux.  The repertoire includes a slate of [mostly single-vineyard] Syrah wines and their “flagship” wine is the Power to the People (produced in 2009, 2012, 2013 [not yet released] and likely 2014).  In addition to those wines, they try their hand with as many interesting [primarily but not exclusively Rhone based] varietals which to date has included Mourvèdre, Aglianico, Tannat and Zinfandel (both coming soon) and Pinot Noir.  These in addition to Touriga Nacional (in the Coalition) and Grenache.  As more varietals become “mainstream” within the kosher world, I expect them to continue pushing the envelope while exploring more and more esoteric varietals.  In addition to the Shirah slate of wines, the bothers have a collaborative venture with their distributor (the River), producing a series of popularly priced mevushal wines.

With no formal education, the brothers have learned winemaking the hard wine – by experience and hard work while enjoying some high quality mentoring along the way (Jeff Morgan, Jonathan Hajdu and Craig Winchell being three prominent examples).  An obvious hedonistic bent drives much of the winemaking decisions and yields hedonistic wines bursting with fruit, flavors and character.  Beyond their winemaking, the pleasure seeking is evident in their obsession with beer, coffee and food.  With a focus on small lots of wine sourced from high-end vineyards, Shirah wines are certainly not for everyone.  Despite the relatively high prices (driven at least in part by the high quality of fruit and small production levels for each wine), Shirah’s wines are built for the short-term and not extended aging.  For many kosher consumers who have become accustomed to high prices for wines that are either French, recipients of high scores from the Wine Enthusiast or Mark Squires or that will age for a decade or longer, paying over $50 for big ripe wines made for early consumption by a winery they have barely heard of can sometimes be too much of a hurdle.  That said, they have clearly found a willing market for their wines, focusing on discerning customers who are looking for something different and are willing to pay.  They also have the advantage of mass appeal.  You are bound to like their wines whether you are a snobby and elitist wine snob or someone just getting into wine.  A Shirah wine has something for everyone – mass appeal despite the non-populist price tag and esoteric varietal focus.  While determining whether a wine is “worth it” is a highly subjective matter, at this point the Weiss Brothers clearly aren’t going for the QPR market but rather focusing on creating special and unique wines – a goal they continue to surpass with every vintage.

Set forth below are tasting notes for 31 of the 32 Shirah wines I believe have released to date (soon-to-be-released wines from the 2013 vintage include a GSM blend, a new Power to the People and a varietal Tannat). With only white and rosé wines released for 2014, the coming list of 2014 red wines includes some additional surprises as well.  Despite not necessarily being built for long-term aging the vast majority of their wines benefit greatly from serious airtime.  Generally speaking, always decant their wines or at least open them a few hours in advance of drinking them, which will benefit them greatly.  While many of these wines are past their peak and/or no longer available, they have all been tasted [relatively] recently and are included in order to give you a comprehensive view of the winery’s evolution.

Shabbat Shalom,
Yossie

2014
Shirah, Vintage Whites, 2014:  Once again toying with the blend while remaining in the Rhone and completing the Northern Rhone trifecta of white wines by adding Marsanne to the mix.  This year’s version was comprised of 75% Viognier from White Hawk, 12.5% Marsanne and 12.5% Roussanne from Santa Barbara.  Once again a complex and layered white wine with plenty of character and the delightful streak of bitterness keeping everyone on their toes.  A rich and expressive nose has plenty of tropical fruit, honeysuckle, lavender and summer stone fruits from the Viognier but these are matched with earthy minerals, garrigue, orange pith and almond notes from the other two varietals.  The viscous and near full-bodied palate is loaded with bracing acidity that integrates the flavors and keeps everything honest.  Treat this more like a red wine, allow it to open and appreciate its complexities (or do it at least once while enjoying its refreshing crispness the rest of the time).

Shirah, Grüner Veltliner, John Sebastiano Vineyard, 2014:  Desiring another white wine to add to their repertoire, the brothers followed their hearts in a search for a varietal not common in the kosher wine world.  This time around the search took them away from their usual Rhone tendencies all the way to Austria where they settled on one of the most food-friendly varietals out there which has recently become quite popular in a number of California AVAs, including the Santa Ynez valley from where this wine was sourced (along with the 2013 Pinot Noir reviewed below).  I was so taken aback by the crisp and refreshing uniqueness of this wine, my stock was depleted far sooner than I expected as I drank the wine with nearly everything, in addition to enjoying it often on its own.  Dominated by subtle notes of honeysuckle, minerals and spices are backed up by tart green apples, quince, subtle tropical fruit and black tea along with plenty of crisp acidity and plenty of mouth-watering citrus notes.  Really a lovely and complex wine that deserves more attention than it gets based on its sheer deliciousness.

Shirah, Rosé, 2014:  After the phenomenal inaugural success with Rosé enjoyed by the Weiss brothers’ 2012 release, expectations were running [way too] high for its successor.  Despite falling a tad short in that department, the wine is delightful and should not be penalized for falling short of any unrealistic expectations that may have been set by the incredible 2012 version.  Once again using saignée Grenache (with 20% Pinot Noir blended in this time – also saignée from the 2014 JSV Pinot Noir), the wine contains a bit more residual sugar that its predecessor which will be enjoyed by many (including those who prefer dryer versions).  A bountiful nose with plenty of near-sweet strawberries, tons of red grapefruit, candied cherries and raspberries and a bit of blueberries along with flinty minerals, slate and a touch of salinity that is a bit hard to pick up on.  The medium bodied palate has plenty of rich and ripe red sweet fruits, great acidity, more mouth-watering citrus and some warm spices that provide a nice complexity to this refreshing and delicious wine.  Load up and enjoy.

2013
Shirah, Vintage Whites, 2013:  Departing from the highly successful blend of Viognier and Roussanne that comprised the equally delicious 2012 vintage, this wine is a blend of Viognier (70%) and the Grenache Blanc (30%) of Hajdu fame.  The rich nose loaded with tropical notes of pineapple, white peach, melon, heather, floral and earthy minerals is one that I could lose myself in forever.  The nose evolved as the wine opened and warmed up a bit in my glass revealing new aromas with every passing minute.  A medium bodied and slightly viscous palate is lean and stripped down with 14% AbV, loaded with mouth-watering acidity that bucks up the rich fruit, honeydew, citrus and warm spices, allowing the wine to present in a clear manner despite the many notes seemingly pulling it in many directions (similarly to their delightful red coalition) and ending in a slightly bitter finish reminiscent of almond aftertaste.  Somehow it works and works well.

Shirah, Counter Punch, 2013:  Once again blending Grenache (75%) and Syrah (25%), both from Santa Ynez, yielding the winery’s usual fun loving and fruit filled easy-drinking wine that remains sufficiently complex to avoid being considered a “quaffer” (and justifying the over quaffer pricing).  With lovely notes of rich and slightly tart red fruit, blueberries, minerals, roasted herbs, bramble and hints of chocolate, toasty oak and more spice on the lingering finish, this medium bodied wine has bracing acidity, plenty of fruit and a good tannic structure holding it all together .  Drink now or over the next 12 months.

Shirah, Bro.Deux, 2013:  Ditching the non-Bordeaux Syrah and sticking to straight Bordeaux varietals this time (all from Happy Canyon), the blend is comprised of Cabernet Sauvignon (65%), Merlot (23%) and Petit Verdot (12%) which grants the wine some added oomph requiring us to take it slightly more seriously than its predecessors.  The rich black and ripe red fruit matched by green olives and herbal notes on the nose along with a hint of minerals are met with a full bodied palate redolent of extracted and near-sweet fruit, accompanied by well-worm saddle leather, more earthy minerals, some smoky oak and backed by gripping tannins and culminating in a lingering and caressing finish with more tobacco, espresso and chocolate notes.  I’d give the wine six months before opening and then enjoy through 2019.

Shirah, Pinot Noir, John Sebastiano Vineyard, 2013:  When thinking about the “typical” characteristics of Pinot Noir (check out you would be hard pressed to find a lot of commonality with the traits of Shirah but that didn’t (and shouldn’t have) stop Gabe from tackling the most finicky of grapes and placing his own stamp on it.  Sourcing the grapes from the cooler Saint Rita Hills (from the same vineyards as the 2014 Grüner Veltliner) the wine is far more reminiscent of an Israeli Pinot Noir than Burgundian, while retaining the controlled structure that allows Shirah to continuously push the envelope with rich and ripe fruit.  The wine opens with a near sweet nose of red cherries, ripe black plums and crushed rose petals that are joined by substantial garrigue and herbal notes which serve to tame the sweet fruit.  The medium bodied palate is loaded with more rich fruit and herbal notes that are joined by hints of summer fruits and a mineral nuance that pleases and leads into a caressing finish tinged with mocha and was seemed like buttery vanilla.  Drink now through 2017.

Shirah, Mourvèdre, Har HaMoriah, 2013:  After first experimenting with the varietal in their 2010 Thompson Vineyard Syrah (which contained 25% Mourvèdre), the brothers tried their hands at a varietal wine blending together two batches of Mourvèdre sourced from Santa Ynez and Paso Robles (once again combining grapes from cooler and warmer climates for intriguing results).  Very different from the only other kosher varietal Mourvèdre produced by Recanati, this is somewhat wild wine that seems to have been tamed against its will and is pulling at the proverbial leash begging for release.  Another varietal that yearns for hot and dry climates due to its tendency to ripen relatively late, the wine has gripping tannins that need some serious time to integrate before they will be ready for prime time.  While California is one of the rare wine growing regions in which varietal Mourvèdre proliferates, its more typical use as a strength-building blending agent, one shouldn’t be surprised by the powerhouse of a wine despite its elegant label.  With a lovely perfumed nose packed with plenty of cherries, plums, meaty notes and more herbal nuances that I would have liked (which should integrate over the next 6-12 months), the wine demands the attention it so richly deserves.  An eclectic and very full-bodied palate is wrapped in a highly robust tannic structure that hid much of the flavors in the wine for hours until it receded just enough to reveal robust and savory meaty flavors alongside violets, spicy black pepper, sage, cinnamon, a hint of “gaminess” and sweet black and red fruit.  Wait at least nine months before opening and then follow its development through 2018, likely longer.

Shirah, Syrah, 2013:  While easily one of the least Shirah-like Shirah wines, this wine was a quiet and contemplative delight, maybe a result of the six(!) different vineyards from which it was sourced while having a little too much oak nuance for my personal tastes.  A highly aromatic nose of raspberries, dark cherries, ripe plums and a touch of blueberries is accompanied by deep flavors of grilled meat, earthy minerals and a pleasing salinity.  The medium to full bodied palate has plenty of near-sweet black and blue fruit that is tamed and tempered by loamy dirt and sweet spices alongside some slightly smoky oak and more minerals culminating in a medium finish with more sweet fruit and minerals backed by oak and rich chocolate notes.

Shirah, Syrah, the Saint and the Barbarian, 2013:  With three different Syrah wines released for the 2013 vintage (and some of it in the Counter Punch too), Shirah keeps exhibiting proficiency with their core varietal while continuing to tinker and learn what the varietal can do for them.  Combining some cool(er)-climate Syrah sourced from the Saint Rita Hills with warmer Happy Canyon fruit allowed Gabe to try and extract the best of both worlds while [mostly] taming the negative characteristics of each.  A huge nose followed by a more restrained and elegant medium to full-bodied palate makes for a delightful oenophilic experience, albeit one that comes at a price.  A rich and expressive nose leaps at you as soon as you pull the cork screaming Shirah all the way out of the bottle’s narrow neck.  With the extracted black and red fruit taking a back seat to the herbal green, earthy minerals, toast and smoky oak and grilled meat along with lead pencil and freshly rolled cigars, I spent considerable time enjoying the evolution of the nose (not something you want to be doing in pubic by the way) before experiencing the medium to full-bodied palate with more of the same.  Gripping tannins still need plenty of time to integrate and a lingering and expressive finish tantalize as you finish the bottle and wonder where it disappeared to.  Give this one six more months to settle down and then enjoy through 2017.

Shirah, Syrah, Sawyer Lindquist, 2013:  This highly extracted and rich Syrah was sourced from the biodynamic Sawyer Lindquist vineyard located in the cool(er) Edna Valley (I’d be interested in tasting a Pinot Noir sourced from this vineyard).  A big, rich and mostly red Syrah with plenty of roasted meat and graphite alongside the extracted fruit (with some blueberry and plum notes).  With loamy earth and a mineral streak joined by dark chocolate and an overlay of toasty oak, this is an intriguing and full-bodied wine that will continue to evolve and improve over the next 12 months after which it should be enjoyable though 2018, maybe longer.

Shirah, Aglianico, 2013:  After “discovering” Italy in their 2012 Coalition, the brothers continue to forge ahead determined to expose the kosher wine-loving world to as many varietals that they can comfortably source at a high-enough quality and another Italian grape – Aglianico – was their next target, sourcing the grapes from the acclaimed Paso Robles AVA.  While my first experience with the varietal, it is instantly recognizable as a Shirah wine and reminiscent of some of their older humongous favorites.  With an impenetrable inky dark color, the wine [finally] opens up to reveal a highly expressive nose of plums, blueberry, tart cranberries, rich floral notes, earthy minerals, smoke, rich chocolate and plenty of spices.  The full bodied [yet surprisingly light] palate has plenty more extracted fruit alongside near-sweet herbs and menthol, anise, more chocolate and gripping tannins that still need time to integrate and play nice.  A finish laden with more tannins and tart fruit lingers nicely.  Even more than usual for Shirah, at this point give it the time it deserves to open up before enjoying it.  I’d wait at least a year before opening and then enjoy its development through 2018, maybe longer (with no prior experience with the varietal – better safe than sorry in this case).  As an aside, given the grapes trait as an acid-laden and sun-loving varietal, I’d be interested in exploring how the varietal might do in the hands of a few of my favorite Israeli winemakers.

2012
Shirah, Vintage Whites, 2012:  After making only red wines for many years, the brothers decided to incorporate some white in their life and obviously started with the two classic white Rhone varietals – Viognier and Roussanne.  Blending 90% Viognier from White Hawk with 10% Roussanne from Stolpman yielding a unique and refreshing wine that got in your face instead of trying to be a simple quaffer.  An aromatic nose loaded with honey, floral notes, white peaches, guava along with Mayer lemons, lemon pith and some vanilla notes from the natural oak in which it spent some time.  After the enticing palate one would be forgiven from being surprised by the bitter notes on the medium bodied and slightly viscous palate (I enjoyed them but not everyone will – they dissipate as the wine warms up) that accompany the tropical fruits, spices, saline minerals that tantalize along with the sweet fruit and citrus notes before yielding to a lingering finish where the bitterness once again takes center stage and reminds you that this is a wine that demands your attention.  Big enough to match many food and sufficiently different and intriguing for anyone to try, this is another love it or hate it wine – hopefully you come out on the same loving side as I did.

Shirah, Rosé, 2012:  Parallel to the path towards white wines, 2012 saw the first rosé wine produced by Shirah which was utterly delicious and a rousing success (and unfortunately made in too little quantities).  Utilizing the saignée method and runoff from the Grenache used for the n.v One Two punch reviewed below, the juice was barrel fermented yielding a wine with an incredible combination of high acidity and dollops of ripe red summer fruit.  The added complexity showcased by a slid mineral undertone, herbal notes and garrigue was just the icing on top of what became my “go to” Rosé that year.

Shirah, Coalition, 2012:  Once again Gabe reached back into his alchemist tendencies and poured a ton of creativity (or insanity – take your pick) into this “everything wine”, attempting to utilize grape varietals less common in the kosher wine world.  The 2012 Coalition is a blend of Sangiovese (50%),Dolcetto (20%), Zinfandel (20%) and Merlot (10%) (with the Zinfandel and Merlot sourced from the Agua Dulce vineyards – a souvenir of their three vintages).  At release the wine opened up a little ripe and with some alcohol notes on the nose that were off-putting.  After ½ an hour or so they blew off and at this point have pretty much dissipated into the wine that is currently showcasing loads of mostly red fruit on both the nose and palate along with a plethora of warm spices, some toasty oak and rich chocolate along with some green notes.  With a steady hand, Gabe has tamed the array of aromas and flavors with a solid tannic structure that allows the fruit to dominate while keeping things upright and honest.  That said the wine remains a little too fruit forward and dominated by sweet fruit for my own tastes while others will enjoy it.

Shirah, Bro.Deux, 2012:  While I enjoyed the prior two Bro.Deux vintages, I thought this one was really special.  Straightforward, sophisticated, well made and delicious.  A full bodied blend of 50% Cabernet Sauvignon and 50% Merlot (both from Happy Canyon) it’s a classic Bordeaux blend with a riper California twist.  The wine showcases loads of rich and extracted dark fruit on both the nose and palate joined with sweet red fruit, the spice rack you expect from the brothers, slate minerals, cured tobacco leaf, a green herbal nuance and rich dark chocolate while being supported by sufficient tannic structure to hold everything together without being overbearing.  A luscious and mouth-coating finish lingers nicely.  Drink now through 2017.

Shirah, Syrah, Power to the People, 2012:  Following the resounding success of the inaugural 2009 Power to the People, there were two “quiet” years in which the Thompson fruit was bottled only as a single vineyard wine.  For 2012 the Syrah blend was given an encore (albeit without the Viognier or accompanying delightful summer notes).  The 2012 wine was a blend of 65% Syrah (30% Thompson and 35% from Stolpman Vineyard located in Ballard Canyon) and 35% Petite Syrah from Stolpman as well.  Instead of the 2009 velvet-like label, the wine is sheathed in a fake leather label.  The opens with a pretty closed nose and none of the typical Shirah exuberance but give it some time (or violent decanting) and you will be rewarded with rich and expressive black fruit, cherries, notes of blueberries, loads of meaty undertones, cedar box tobacco, spice and violet.  The full bodied and caressing palate is wrapped in gripping tannins that need plenty of time to integrate but give it some time as they are hiding multiple layers of complex flavors including tart raspberries, summer strawberry fruit, hints of graphite and saddle leather along with saline minerals and Oriental spices.  Take your time with this wine as there is a lot going on – and you don’t want to miss any of it.  Alternatively, let it decant a point and simply enjoy the plush and mouth filling deliciousness of this well-made treat.  Enjoyable now with some serious air time but will be at its best in 6-12 months from now and then enjoy through 2018, maybe longer.

Shirah, Syrah, White Hawk Vineyard, 2012:  The Weiss brothers certainly hit it out of the park with this rich, ripe and delicious Syrah which manages to be juicy and powerful while remaining controlled at the same time – muscular, supple and layered – this may be the best wine they ever produced.  Blended with 2% Viognier (similarly to their 2009 Power) and utilizing Santa Barbara Syrah from White Hawk vineyard, the wine shows an rich and ripe nose of mostly black fruit with a tinge of red creeping in after a bit of air alongside white peach, apricot and some blueberry notes and a hint of lychee, along with freshly paved asphalt, grilled meat, black pepper, spicy oak, plenty of freshly blooming flowers, a hint of chocolate and slightly toasty oak with much of the same on the viscous palate that delights.  With earthy minerals, spices, slightly sweet cedar, cigar box cedar and rich chocolate providing additional mesmerizing notes, the wine has years of improvement and aging ahead of it (make sure to give it significant air time before even trying it).  Aged for 15 months in a combination of French and Hungarian [%?] oak, the wine is powerful, elegant and beautiful – all in one package with the sticker price the only thing preventing me from stocking up (the Achilles Heel of many boutique wineries with bills to pay).  That said, don’t let the price tag prevent you from at least tasting this amazing wine – it’s worth it.

Shirah, One Two Punch, n.v:  With 2012 being one of California’s Central Coast’s best vintage in recent memory, the high-end Grenache the brothers harvested from Alisos Canyon was too intense even for Shirah so Gabe decided to “tone down” [a bit] the 75% Grenache (I wonder if the winery walls trembled when those words were uttered) with 25% of a 50/50 blend of Grenache and Syrah from the colder (and weaker) 2011 vintage sourced from Thompson.  While not my favorite Shirah wine (and I’d have loved to see it blended with just a tad of 2012 White Hawk Syrah instead for a wine that would likely have blown my socks off), it retains the characteristically fun personality and is loaded with rich red summer fruit, bracing acidity, a good tannic structure that is now nicely integrated and keeps the abundant fruit in check.  Not so much complex but more of a serious and fun quaffer that doesn’t require much thought.  Drink now and over the next 12-18 months.

2011
Shirah, Coalition, 2011:  The second year the Weiss bothers produced this unique blend and, while another successful year and maintaining the characteristically near-insane magnificent uniqueness of the Coalition, there is a distinct change in style from the 2010 vintage as one would expect from the different blend comprising the wine. A blend this year of 60% Zinfandel, 12% each of Cabernet Franc and Merlot and 8% each of Touriga Nacional and Souza which results in a very different and intriguing wine that I enjoyed very much but may not be to everyone’s tastes.  A ripe and aromatic nose is loaded with strawberries, watermelon, tart cranberry, summer fruit, bell pepper, eucalyptus, cigar box, espresso, spicy oak, loads of black peppery notes and cloves. On the full bodied, rich and extracted palate there is more oak, near-sweet tannins, more red summer fruit and a ton of spicy notes and a streak of herbal bitterness that pleases; all backed up by an awesome core of acidity that keeps things lively.  A lingering finish with more spicy wood and minty baker’s chocolate finishes up this wine.  The wine isn’t going to get any better, so finish up any bottles you may have over the next 6-12 months.

Shirah, Syrah, Thompson, 2011:  The wine showcases the quality of the vineyard which even in a relatively problematic (and colder) year manages to retain the muscular intensity we have come to expect from the AVA (while still being toned down from earlier vintage years and lacking the depth and aging ability that would have otherwise likely been part and parcel of this single vineyard offering.  With classically Shirah, Thompson and Syrah notes of rich crushed black fruit, high extraction, gripping tannins and rich baker’s chocolate tinted with a minty undertone alongside toasty oak, a hint of freshly roasted meat, freshly paved pavement and faint hints of earthy minerals, this is a big and bold wine that is softer than usual and should be enjoyed sooner than later.

Shirah, Syrah, Alder Springs, 2011:  Shirah’s second single vineyard Syrah for 2011 replaces the 2009 McGinley version and hails from Alder Springs in Mendocino (Hajdu sources grapes from this location as well).  A luxurious wine that, like its McGinley predecessor showcases more elegance and approachability than its elder Thompson brother (I would have loved to have barrel-tasted a blend of these two wines – the ad hoc blend of finished wines I tried didn’t quite get me there) and showcases a “normal” 13% AbV (which is quite abnormal for Shirah) primarily the result of one of California’s tougher and colder) vintage years.  The nose is clearly a Weiss Brother creation with explosive notes of ripe rich fruit including black currants, juicy blackberries, strawberries and other bright red fruit, hints of blue fruit, a subtle spiciness that tantalizes with faint notes of asphalt and lead pencil in the background.  The medium bodied palate opens up to reveal more deep dark fruit, some tart red fruit, asphalt, some grilled meat, fresh cracked black pepper which are all encased in gripping tannins that are finally integrating nicely.  A somewhat short finish of near-sweet and mostly dark fruit, slate minerals, rich baker’s minty chocolate, cigar box notes and more spice lingers gently.  Drink now through 2017.

2010
Shirah, Counter Punch, Vogelzang Vineyard, 2010:  The follow up wine to the initial 2008 One Two Punch and a wine that has remained in Shirah’s arsenal since (although never quite reaching the same level as that inaugural wine).  Comprised of the same blend of Syrah (50%) and Grenache (50%) as the One Two Punch (albeit from different vineyards located in the Happy Canyon AVA), the wine continues to supply the intriguingly intoxicating nose of red summer and tropical fruit combined with deep and extracted notes of pomegranate, grilled meat, cracked black pepper, blueberry, warm spices and earthy minerals while remaining fun and relatively light on the palate protected by a subtle backbone of mouth-coating tannins that are now fully integrated culminating in a lush and mouth-filling finish.  Another wine that while still good, is at the end of its proverbial road and should be polished off sooner than later.

Shirah, Coalition, 2010:  Together with the Bro.Deux reviewed below, the Coalition is a new wine for the 2010 vintage that managed to stick around and become a regular part of Shirah’s portfolio (the delightfully imaginative label styled after America’s constitution doesn’t hurt).  Similar to the Grenache utilized for their first 2008 wines, Gabe and Shimon incorporated a well-known (outside of kosher wine circles) Portuguese grape – Touriga Nacional – into a crazy expressive wine continuing their trend-setting status for mainstreaming esoteric grape varietals in the kosher wine world (a number of additional kosher wineries are now using the varietal including the Golan Heights Winery and Domaine Netofa).  A blend of Touriga Nacional (45%), Syrah (30% which was co-fermented with 4% Viognier) and Petit Verdot (25%) sourced from three different Central Coast vineyards, the wine clocks in at 14.5% AbV – low alcohol by Shirah’s initial standards.  With the majority of their wines crowd-pleasers, this is a divisive one – you are either going to love it or hate – very seldom is there going to be a middle ground.  With rich sweet red and summer fruit including watermelon and ripe pomegranate and tropical notes on the aromatic nose accompanied by citrusy overtones, loads of warm spices and green herbaceousness and a medium bodied palate redolent of somewhat incongruous summer and tropical fruit and with a plethora of (mostly warm) spices and slightly toasty oak backed by a solid structure and well-built and nicely integrating silky tannins, I came firmly down on the loving side of this one.  Drink now – recent bottles have shown some bottle variation.

Shirah, Syrah, Thompson, 2010:  Once again using the high-end Syrah grapes from Thompson but this time blended with 25% Mourvèdre (also from Thompson) in an attempt to class up the wine like the McGinley did for the 2009 Power.  The wine spent two years aging in French oak which resulted in an intensely dark and brooding wine with a ripe nose of blackberries, plums, blackcurrants, notes of blueberries, sweet notes of cherries, a hint of tropical fruit along with a plethora of spices and a tinge of green that lead into an extracted and full-bodied palate with more rich red and black sweet fruit, spices, rich baker’s chocolate and an mind-boggling array of mostly warm spices which are held together by gripping tannins and an acidic backbone that are now nicely integrated.  Forgo the usual Shirah-required decanting and allow the wine to open in your glass while you wonder at the layers of aromatic complexity it yields.  Enjoy now through 2017.

Shirah, Bro.Deux, n.v: The first year Shirah introduced this wine, not a perennial part of their portfolio.  A [more or less] Bordeaux blend plus the winery’s main squeeze – Syrah.  Cabernet Sauvignon (36%), Malbec (18%), Cabernet Franc (18%) and Petit Verdot (18%) all from the 2010 vintage were blended with Syrah (10%) from the 2009 vintage.  The wine landed at a barely noticeable 15% AbV which it handled with aplomb.  A delicious and exceptionally well-made wine which was aged in 45% new French oak taming the rich fruit with a hint of toastiness.  With a rich and expressive nose of mostly red fruit, tobacco leaf, slate minerals, freshly turned earth and plenty of green notes of bell pepper setting up the medium to full-bodied palate with much of the same along with toasty oak, some well-worn leather, anise, near-sweet fruit and plenty of warm spices leading into a caressing finish of luscious fruit on a bed of silky and well-integrated tannins with plenty of rich chocolate and earthy minerals lingering, seemingly forever.  Drink now through 2016.

2009
Shirah, Power to the People, Syrah, 2009:  The first official release of Shirah Winery, founded by the now famous “Weiss Brothers” whose 2008 One Two punch and Syraph were an incredible and welcome jolt to the kosher wine world.  At the risk of taking away from the sheer deliciousness of the bottle’s contents, the label on this wine was among the most unique I had ever seen and bodes well for the winery is there is any truth to the adage that most wines are chosen by their label.  Thankfully the wine itself more than does the label justice.  Sourcing the Syrah from two Happy Canyon vineyards – Thompson and McGinley (each of which provided a single vineyard bottling as well) and co-fermenting the wine with 2% of Viognier that contributed to the wine’s character far more than you might have expected (apricot and peach take center stage).  If the descriptor for their inaugural One Two Punch was “fun”, this wine’s would have to be “delicious”.  A ripe, rich and layered California Syrah with plenty of depth, complexity and nuance to satisfy even the most discerning wine lover (while some will find fault with the high alcohol and sweet fruit – I say “bah humbug”).  Both the nose and medium to full-bodied palate were dominated by freshly picked white peaches, apricot, guava and floral notes that slowly open up to reveal plums, cherries, ripe tart raspberry and blueberries, accompanied by plenty of smoky wood, meaty undertones, some warm spice, dark chocolate, anise all wrapped in well integrated tannins and delivering a round, mouth filling and delicious wine with a finish of subtle fresh-cured tobacco leaf and minty dark chocolate.  Plenty of acid and a robust tannic backbone (now fully integrated) keep the mounds of aromatics in check, yielding a wine that is pure pleasure.  While the fruit has receded somewhat the sheer deliciousness of the wine is still shining through and the wine should be enjoyed over the next 12 months or so.

Shirah, Syrah, Thompson, 2009:  Following the near-instant success for their Power to the People Syrah, the winery released two single vineyard wines, each utilizing one of the two Syrah harvests (the Thompson didn’t have any Viognier while McGinley was blended with 4%) that went into the Power, with this wine from the acclaimed Thompson vineyard being the more powerful and interesting of the two.  Located in the Alisos Canyon – considered perfect terroir for growing Rhone varietals, the brothers sourced from 30 year-old vines at a relatively low yield of 1.5 tons per acre, the wine was slightly more herbaceous than I would have expected (especially after almost no such notes on the Power).  The coolest part of tasting the three 2009 wines side-by-side was the ability to discern the contributions each of the two vineyards and the Viognier had on the wine and the obvious fact that in this case – the sum was far greater than the parts.  Dark and brimming with nearly unrestrained muscularity, the wine has since settled down nicely, showcasing rich dark fruit with plenty of blueberry and plum nuances, rich cassis, lead pencil, slightly smoky oak, some green vegetal notes (which waiver between pleasing and nagging) and plenty of spiciness, all held together by an extracted tannic backbone that has now completely integrated leaving behind sufficient heft to carry the fruit and wood.  A lingering finish with sweet fruit, herbal notes, more green notes of mostly saline olives and chocolate notes round out this wine.  Past its peak, I suggest happily polishing off any remaining bottles sooner than later.

Shirah, Syrah, McGinley, 2009:  Sourced from a higher yielding vineyard that its Thompson sibling, the Happy Canyon AVA McGinley Vineyard Syrah brought finesse and elegance along with 4% Viognier blended in.  While lacking in power, especially when contrasted to its fellow 2009 brethren, the wine is simply beautiful.  The wine has captivating nose of bright red fruit, lavender and floral notes along with cinnamon, cloves and other warm spices; a full-bodied palate loaded with rich dark fruit, more spices, slightly toasty [American] oak and a rich and spicy lingering finish of more rich fruit and freshly baked cake that pleases.  Cross your fingers and drink up any remaining bottles.

2008
Shirah, One Two Punch, 2008:  Together with the Syraph reviewed below, this wine instantly put the Weiss Brothers on the radar screen of every self-respecting oenophile (who was lucky enough to get their hands on one of the approximately 600 bottles).  Sporting a characteristically awesomelycreative label based on vintage concert posters created by Miller Creative (the branding agency co-founded by Yael Miller (the “Weiss Sister”) and her husband Reuben), the wines uniqueness continues with the unorthodox blend of 50% Syrah and 50% Grenache that was aged on its lees and sourced from two different AVAs in San Luis Obispo County (the same grapes were used for the Syraph’s 85% Syrah and 15% Grenache blend).  These days Grenache is pretty well known but back in 2010 there were very few kosher wines using Grenache (including 2007 varietal versions from Brobdingnagian and Capcanes and Rhone based Domaine St. Benoit and Capcanes utilizing the grape in blends).  With 15.83% AbV, “Punch” was certainly an appropriate moniker for this wine whose best descriptor is simply “fun”.  The wine opens with a highly aromatic and expressive nose loaded with crushed and near-sweet black forest berries, candied red fruit, tart raspberries, floral and lavender, some grilled meat, warm herbs, plenty of roasted espresso, literally the entire spice rack and heavy notes of vanilla from the toasted oak barrels most of which is present on the medium-bodied palate where a lovely tannic structure and bracing acid core keep the plethora of notes together.  With a rich and luscious lingering finish of bright fruit, acid, chocolate and a hint of slightly bitter black tea, the wine was an unmitigated pleasure from start to finish.  At this point the wine is well past its peak and showing significant bottle variation so open any bottles you may have left and enjoy (be sure to invite me to join)!

Shirah, Syraph, 2008:  I recently had the pleasure of opening my second to last bottle of this unique and pleasurable wine (which was made in an extremely limited run of 400 bottles).  Using the same grapes as the One Two Punch but with a bigger emphasis on Syrah (85% Syrah and 15% Grenache) and forecasting the coming focus the brothers were going to have with the varietal.  Fermented for 45 days and clocking in at 16.85% AbV this muscular wine is a beast in every sense of the word.  The nose on this heavily extracted wine is loading with juicy black fruit, plenty of blueberry notes and backed by a bold tannic structure that has long since integrated but was imposing in its day and allowed the wine to age nicely for longer than it deserved on the basis of the stratospheric alcohol levels.  Along with roasted meet, freshly laid asphalt, freshly cracked black pepper, rich chocolate, rich notes of grilled meat, freshly rolled cigars and sweet cedar, the nose sets up the full bodied palate to showcase more of the rich deep fruit, toasted and slightly smoky oak along with spiciness that are the calling card of this wine.  An insurmountable blockbuster in its day, the wine is still enjoyable but past its peak at this point and any remaining bottles should be opened and enjoyed sooner than later.

2005
As mentioned above, this is the only wine produced by a Weiss boy I have not yet tasted – hopefully something that will change in the near future :-)!

Zimbalista

#299 – July 19, 2015

After first seeing the wines at someone’s house I reached out to Elena Zimbalista in order to coordinate tasting her wines at the Sommelier Expo two years ago (given that she wasn’t an exhibitor, we met outside of the Expo at a nearby coffee shop were we tasted through her wines as she told me the story behind the winery.  Having subsequently tasted her wines on a number of occasions, the time finally came to put pen to paper and introduce you to this unassuming and carefree winery physically located in Moshav Avigdor but with a soul hailing from Italy’s Verona.

Born Elena Guglielmi in Venice’s Mestre suburb, her family relocated early on to Verona where she grew up studying classical ballet, ultimately spending a number of years performing as a “classical ballerina” (her words) before replacing the arduous training regime behind to focus on teaching ballet and a second career in marketing.  A few days before the dawn of the millennium she attended dinner at the home of an friend whose Israeli wife had invited a visiting friend from the motherland.  Within a few seconds after laying eyes on her, the Israeli visitor informed the hostess that Elena was going to be his wife (a fact unbeknownst at the time to Elena and dismissively waived off by Anat, the hostess).  Showing the adventurous side that surely had what to do with launching the winery, within a few hours Elana had accepted an invitation to accompany Ron to Israel to celebrate New Year.  Proposing within a few days after that, Ron was told that Elena needed more time to decide which turned out to be about a week, to the chagrin of Elana’s mother who took two months before she could speak to her daughter again (with Ron being the apple of his mother-in-law’s eyes these days, this is obviously water under the bridge at this point).  After a whirlwind wedding in Cyprus, the couple settled in Moshav Avigdor and soon thereafter Elena’s love of wine, longing for the crisp and refreshing white wines of her native Italy and a conviction that Israel’s climate needed far more white wine than was then being produced (remember those were the days when white wines were decidedly unpopular which led to their overall mediocre quality, lack of choices and mostly [over-]oaked wines, with a focus on Chardonnay and barely passable Sauvignon Blanc).  The family took a fact-finding trip to Sicily in order to determine which varietals may be most suited for the relatively low-elevation terroir on the Moshav and returned home to plant their first vineyards in 2001, starting with Chardonnay and Muscat of Alexander followed up in 2008 with Sauvignon Blanc, Moscato and Gewurztraminer for a total of 40 dunam.  With a first vintage in 2006, the winery has been kosher since inception and was a trendsetter among wineries by decided to only make white varietals (while additional exclusively “white wineries” have sprung up in the interim, it remains a club with exceedingly low membership).

Elena in the winery’s viticulturist and Ittai Lahat is the winemaker.  Through the 2013 vintage the wines were made at Ella Valley Vineyards and starting from 2014 the wines are being made at Mony.  Elena plans to take a sabbatical for the 2015 Shmittah vintage (joining a select few wineries intending to make no wine next year) and intends to kick things back up again for the 2016 vintage with an intended bump to 15,000 bottles.  The winery has four wins in their portfolio – all unoaked white wines which include a varietal Chardonnay, Sauvignon Blanc (named for one of her two children) and Moscato along with a semi-sweet blend of Gewurztraminer, Moscato and a pinch of Sauvignon Blanc (named after her second child).  The wines are primarily sold in restaurants and hotels as Elena has found the Israeli wine stores to be a tough nut to crack, especially with her heavily accented and somewhat limited Hebrew skills, but a select few carry the wines. With her famous sculptress mother-in-law’s sculptures gracing her innovative labels (and strewn across her homestead where she hosts groups and individuals for meals and wine tastings), the wines are affordable, relatively simple, refreshing and well made.  Check them out on your next trip to Israel (they aren’t exported to the US) and let me know if you have trouble finding them.

Below are a few of Zimbalista’s recent wines I enjoyed and hope you will as well.

Zimbalista, Sauvinyali Di Zimbalista, 2013: Named for Elana’s son Yali, the wine is a crisp and refreshing 100% Sauvignon Blanc, fermented in stainless steel.  With a highly aromatic nose and loads of mouth-watering acidity on the light to medium bodied palate, the wine is redolent with fresh fruit notes of lemon, grapefruit and tropical notes accompanied by sweet summer grass and a hint of minerality leading into a pleasing and slightly bitter finish with plenty more fruit and citrus notes, the wine is a great accompaniment to those languid summer days that seem to have finally caught up with us here in New Year.  The wine retails in Israel for approximately 70-80 NIS.

Zimbalista, Chardonnay Di Zimbalista, 2013:  Despite lacking much complexity, the wine is pleasant and delicious while also filling the much-needed niche of unoaked Chardonnay whose ranks have thinned over the last few years. With plenty of tropical fruit and tart apple on both the perfumed nose and medium bodied palate, the ripe fruit is backed up with plenty of acid where it is joined by slate minerals, grapefruit, warm herbs and more slightly bitter citrus pith.  Refreshingly round and mouth-filling, tasting this blind might throw you for a loop, even if you are expecting an unoaked chardonnay.  Worth seeking out and trying for yourself; the wine retails in Israel for between 75- 90 NIS.

Zimbalista, Moscato di Zimbalista, 2013:  A semi-dry wine made from 100% Muscat of Alexandria.  Loads of rich tropical fruits on the nose and palate include kiwi, guava, melon, along with spices, a slight herbal note and a hint of sweetness all of which are kept in check by and well-balanced with gobs of crisp acidity that keeps the wine h0nost.  Don’t try this and expect a Moscato (or much complexity) – the wine is a different animal altogether, but still lovely and worth seeking out.  The wine retails in Israel for 70-80 NIS.

Zimbalista, Vino Dariolino Zimbalista, 2013:  A semi-sweet blend of Muscat and Gewurztraminer, the wine is named after Elena’s second son Dario, and is the latest addition to her growing repertoire.  It also happened to be the wine I least enjoyed, with the two grapes seemingly each trying to preserve their individual characteristics and never quite meshing together as one.

Mia Luce

#299 – July 19, 2015

With the amazing things happening at Recanati (stay tuned for an updated newsletter soon), it shouldn’t surprise anyone to know that the winery is blessed with one of the deepest “benches” of winemaking talent among Israeli wineries.  Assisting über-talented chief-winemaker Gil Shatsberg are two folks, both talented winemakers in their own right – Ido Lewinsohn and Kobi Arbiv.  It takes a certain level of self-confidence for a winery to permit its winemakers to have commercial wineries of their own on the side and Recanati has certainly earned the ability to allow both Ido and Kobi to have commercial projects of their own, albeit much smaller than Recanati’s operations and “run” on their “own” time (similar to the arrangement Covenant has with Hajdu).  Ido’s winery isn’t kosher [yet], but Kobi has had official kosher certification from the 2011 vintage (with the wines actually being kosher from the 2009 vintage).  With a quiet assurance coupled with a relatively rare humility, Kobi fits right in with the rest of the wonderful team at Recanati’s helm (a quality that isn‘t limited only to the winemakers).  After starting in 2006 as a “cellar rat” he rapidly learned the trade, graduated from Israel’s Tel-Chai winemaking course and, showed real winemaking talent, was promoted to “winemaker” in 2013, joining winemakers Gil Shatsberg & Ido Lewinsohn as a full-fledged member of the team.  Anyone who has met Kobi or tasted some of his delightful Mia Luce wines knows that this is a well-deserved honor and the quality of his wines continues to improve every year.

Derived from the Italian (his father is Italian-speaking) “My Light”, Kobi’s “light” is the thing that that makes him happiest – winemaking (and alluding to its “Or” Akiva location), and is really a “garagiste winery”, with production set up on the upper floor of his parent’s Or Akiva home (Ido’s winery is also housed with his parents).  After an inaugural release of 600 bottles for the 2008 vintage (a blend of 60% Merlot and 40% Cabernet Sauvignon from Kerem Ben Zimra and dubbed “La Stanza”, meaning “My Room” and named for the tiny room in which the winery was housed), Kobi ratcheted up his game, releasing two wines for the 2009 vintage (which I “found out about” and tasted at the Sommelier Expo in Israel in 2013.  The first wine I tasted was his 2009 Rosso which, similar to his inaugural wine, was Merlot based (96%) with a bit of old-vine Carignan added for personality and “bite”.  He also made an [even more] limited quantity of Carignan (“La Speciale”) utilizing those same magnificent grapes that Recanati uses for its near-cultish Carignan which became his calling card for the coming vintage year where he focused on that animalistic Carignan producing approximately 2,000 bottles annually before doubling production in recent vintages to around 4,000 bottles annually.  In 2011 he added a delightfully esoteric white wine to his portfolio based on Colombard (93%) with 7% Chardonnay giving the wine some heft and aromatics which he made again in 2012 but hasn’t made since.  Mirroring the philosophic winemaking trend of the mother ship, Kobi is focused on varietals more appropriate for Israel’s terroir (Carignan, Petite Sirah and Colombard) and a subtle and food-friendly winemaking style suited for its seasonal climate.

Not [yet] sold in Israel, these are wines well worthy of your attention and I highly recommend you seek some out on your next Israel trip.  The wine is sold mainly to restaurants with a few select wine shops having it in stock as well.  That said, your time seeking it out will be well rewarded and please ping me if you need assistance sourcing some of there terrific wines (you won’t be disappointed).  As an up and coming winery, Kobi hasn’t yet committed to labels, varietals or a stable portfolio of wines, but rather to a winemaking style he has hung with since his inaugural 2008 vintage, a fact evidenced by his coming two vintages being Syrah instead of Carignan based but reflecting the character-laden, subtle and elegant food-friendly wines we have come to expect (2013 (94% Syrah and 6% Carignan) being released soon and already almost sold out and 2014 (91% Syrah, 6% Marselan and 3% Carignan) in the works.  Likewise with his 2012 Bianco, which contained 7% Roussanne instead of the 7% Chardonnay from the 2011 vintage).  Kudos to Kobi and I look forward to following Mia Luce’s continued upward trajectory in the years to come!

Mia Luce, Rosso, 2012:  Kobi’s current release is 97% Carignan sourced from Recanati’s famous “wild” vineyard and blended with 3% Syrah from the Upper Galilee.  While the wine showcases the typical animalistic traits of Recanati’s wine, the Rosso is more dialed-back and approachable, especially at first attack.  With dark notes of blackberries, currents and other black forest fruit, grilled meat, warm spices, dark chocolate, white pepper and anise on both the nose and palate keep lively and somewhat bright with great balancing acidity, this medium to full bodied wine has plenty of saddle leather, earthy forest floor and saline minerals to balance out the fruit and oak with a lingering finish that, to quote one of my favorite wine-writers “feels like a love train connecting all the people of the Mediterranean basin”; yielding a personality-laden wine that Kobi can truly call his own.  Buy all the bottles you can find.

Mia Luce, Bianco, 2011:  Branching out into the exploding [Israeli] world of white wines, Kobi brings the lonely Colombard grape in from the cold (where it has been languishing after years of purgatory due to its punishing contribution to the negative view of Israeli white wines) with a refreshingly wonderful take on this aromatic grape (which he blended with 7% of chardonnay, both from Kibbutz Manara) that spent 12 months in neutral French oak and clocks in at 12% AbV.  Creating a complex and sophisticated wine from the lowly Colombard is a real accomplishment and this is a refreshingly delightful wine – elegant, restrained and refreshing.  Don’t drink this wine too cold or you will lose some of the an aromatic nose of tart green apple, peach, melon, citrus pith, grapefruit, warm spices, a slight note of toasty oak and a hint of smoke and floral notes.  With a medium bodied and slightly viscous palate with plenty tart fruit, hints of summer stone fruit and flinty minerals with well balancing acidity keeping things lively and a streak of bitterness providing a hint of complexity that tantalizes.  With a longer than expected finish loaded with citrus, acid and hints of fresh-cut grass, this is an intriguing wine that requires your attention (which you will find yourself happy to provide).

Mia Luce, Rosso, 2010:  Once again utilizing the high-quality and easily identifiable old vine Carignan, this time blended with 8% Petite Sirah which spent approximately 12 months in 70% new oak barrels, Kobi produced a characteristic and personality-loaded wine that is also fun to drink.  The nose of rich dark fruit, grilled meat, slightly smoky oak, fresh-cracked black pepper, roasted herbs, well-worn leather is preceded by a touch of intriguingly pleasant Brett that blows off rapidly, and is followed by a full bodied palate with caressing tannins nicely integrated with the rich crushed black fruit, roasted espresso, more grilled meat and backed by focused acidity that skillfully bring the whole “wild” package together.  Truly a “great little wine”.

Mia Luce, Rosso, 2009:  A blend of mostly (96%) Merlot (from the famed boutique [non-kosher] Margalit winery’s vineyards in Ben-Zimra) with 4% “wild” Carignan blended in.  A slew of crushed red berries on the nose with hints of black forest fruit including ripe plums and dark cherries, graphite and roasted coffee beans, a solid dose of green bell pepper and notes of crushed thyme and rosemary with hints of oak.  A hefty jolt of mouth-watering acidity on the full-bodied palate cuts through the fruit and wood, making for a good food wine with plenty of complexity and depth culminating with a finish loaded with fresh-cured tobacco leaf and baker’s chocolate.  A well crafted wine and sensuous wine with slightly rustic yet pleasing tannins that serve to hold the whole package nicely together leading into a long lingering finish.  Kobi recently released a few bottles he had kept back which are drinking beautifully, if completely at their peak.  Drink now.

Mia Luce, La Speciale, Carignan, 2009:  With only one barrel produced (300 bottles) this was a truly limited edition wine and one I feel privileged to have gotten my hands on this wine given its role in “introducing” me (and subsequently the world) to this talented young man.  Showcasing “old Vine Carignan” another way, the wine showed hedonistic tendencies while retaining a rustic elegance at the same time.  Plenty of pungent, earthy meaty notes on both the nose and full-bodied palate, the wine spent a year in mostly new French oak and clocking in a restrained (especially for Israel) 13.5 AbV.  With a bold tannic structure (now completely integrated) and gobs of acid taming the smorgasbord of fruit, smoky oak, earthy minerals, leather, grilled mean and dark chocolate notes, this wine was truly “La Speciale”!

Pasco (Pasco Project)

#299 – July 19, 2015

Including Lewis Pasco in a newsletter about new and unknown wineries may seem inconsistent to anyone who has been following the Israeli wine scene for more than a few years.  However, despite making quite a splash on the local scene during his seven vintages at Recanati, he disappeared from the country after parting ways with the winery and only to recently return with a new project (pun intended), releasing wines under his newly founded eponymously named winery – the focus of this newsletter.

After a childhood spent in Tenafly, Lewis dropped out of New York’s Columbia University to spend a few years working the New York kitchen scene before heading to San Francisco at the age of 22 and working his way up the local restaurant ladder including a head chef position at the tender age of 24.  After a number of years hustling in the kitchen and honing his creative skills, Lewis returned to school, this time pursuing degrees in viticulture and oenology from UC Davis (not to mention his undergraduate degree in botany), intending to take his newfound skills to France where he hoped to gain some practical experience working in a winery or two.  However, fate works in mysterious ways and he found his eye wandering towards the holy land in response to winemaker’s want ad from Dalton.  By the time he gave Dalton a call in response to the ad, the position had been filled but Dalton’s Alex Haruni referred him to the Tishbi winery which had a winemaking position they were looking to fill.  After spending three vintages at Tishbi, Lewis was poached by the Recanati family to bring his considerable winemaking talent to the newly launched winery where he served as founding and head winemaker for seven vintages or so.  After parting ways with Recanati, Lewis (along with his Israeli wife and two children) packed up and left quietly back to California where they have been living ever since.

However Israel clearly had some unfinished business with Pasco (and vice versa) and in 2012 Beit-El Winery’s Hillel Manne reached out and asked that Lewis come back and provide some “adult supervision” consulting advice to the growing winery which was blessed with top tier (Shomron) fruit but a lack of professional winemaking experience.  With Hillel offering winemaking facilities instead of a salary (not to mention a roof over his head for a few months until he got settled and was able to have his family follow him back “home”), Lewis took the opportunity to finally start his own winery while helping Hillel and other wineries (most recently the Hevron Heights Winery as well) improve their wines.

The Lewis Pasco winery has released three wines to date, his entry level Bordeaux-blend for both the 2012 and 2013 vintages and a reserve-level wine (Liquidity) for the 2012 vintage.  Unlike his counterparts to this newsletter, the Pasco wines are exported to the US and are pretty widely available (although the inaugural 2012 Pasco Project #1 is officially sold out and the 2013 Pasco Project #2 is going fast).  Unlike many Israeli winemakers who profess to make Cabernet Sauvignon and Merlot in Israel solely because the market demands it (as opposed to any inherent connection between the varietals and Israel’s terroir), Lewis appears to remain steadfast in his belief that they remain the best base for quality Israeli wines (while also seemingly acknowledging that Israeli Cabernet Franc and Petite Sirah are high-quality and can bring something extra special to his wines).  An extremely passionate individual with oodles of winemaking knowledge and experience he is happy to share with anyone who is interested, Lewis brings plenty of himself into his winemaking where his limitless enthusiasm is evident in his wines. Showcasing his solidly Californian winemaking philosophy, Lewis is continuing his tradition from Recanati (which has since been replaced by the aforementioned more subtle style discussed above) and creating rich, bold and delicious crowd-pleasing wines, which can sometimes belie the wine’s underlying structure, complexity and potential longevity.

Listed below are the three wines Lewis has released to date, with the 2013 Pasco Project #2 and 2012 Liquidity the current releases and available in both the US and Israel.  I look forward to following Lewis’ upward development during the current stage of his winemaking career – Ale V’Hatzlach.

Lewis Pasco, Pasco Project #2, 2013:  Switching it up a bit from his inaugural 2012 release, Lewis added a bit of that quality Carignan from the Beit-El Winery into the blend which is comprised of 73% Cabernet Sauvignon, 20% Merlot, and 7% Carignan (replacing last year’s Petite Sirah) which spent nine months in older French oak and once again clocks in at 14.5%.  The Cabernet Sauvignon and Carignan hailed from the Shomron  while the Merlot was sourced from Givat Yishayahu in the Judean Hills.  A rich nose of blackberries, black currants, plums and tart cherries along with earthy minerals leads into a medium to full-bodied palate that is more approachable than the 2012 vintage but showcases the same balance, structure and Pasco flair that was evident in Pasco Project #1 along with notes of bell pepper, spice, graphite and fresh-ground coffee grounds leading into a lovely lingering finish with black fruit, hints of blueberries and rich baker’s chocolate.  Drink now through 2018.

Lewis Pasco, Pasco Project #1, 2012:  The first release by Lewis Pasco out of his newly launched eponymously-named winery under the “Pasco Project” label is a Bordeaux-styled blend of 59% Cabernet Sauvignon, 37% merlot, along with 4% of Petite Sirah which spent nine months in new French oak barrels and clocks in at 14.5% AbV.  The wine opens with a warmly inviting nose of rich blackberries, plums, red fruit, cherries, sweet cedar, a hint of smoke, array of mostly warm spices and a hint of blueberries.  The medium to full-bodied palate is loaded with rich fruit, sweet cedar, fresh-cured tobacco, black pepper, a hint of dried Mediterranean herbs and eucalyptus and an overlay of slightly smoky oak with now beautifully integrated tannins showcasing the elegant structure and good balance and ending in a dark chocolate finish. Drink now through 2019.

Lewis Pasco, Liquidity, Cabernet Sauvignon, 2012:  Lewis’ inaugural reserve-level wine is a classic Bordeaux-blend of 90% Cabernet Sauvignon and 10% Merlot, primarily sourced from the Shomron  and made in Hillel Manne’s Beit-El Winery.  The wine spent 19 months in new French oak.  With Lewis’ winemaking easily recognizable with the elegant structure and good balance between the rich and mostly red fruit, smoky oak and bold tannic structure, the in was also clearly geared towards the mainstream kosher-drinking crowd, who prefer their wines with recognizable rich fruits backed by oak and juicy acidity.  A rich and elegant nose of blackberries, cassis, plums and warm spices along with sweet cedar, red fruit and espresso leading into a full-bodied palate with much of the same surrounded by an overlay of slightly smoky oak and gripping tannins which are now finally integrating and showcasing the powerfully elegant structure and near-sweet fruit.  Drink now through 2018.

Pinot Noir

#295 – June 12, 2015 (The Purest Expression of Place)

This week’s topic of Pinot Noir has filled me with trepidation for years. With hundreds of options for quality Cabernet Sauvignon, Merlot, Syrah, Chardonnay and Sauvignon Blanc and numerous viable options for those seeking quality Cabernet Franc, Carignan, Petite Sirah, Petite Verdot, Viognier and even Gewürztraminer, the kosher wine consumer is inundated with kosher versions of the majority of popular wines grown around the world with no end in sight. Kosher winemakers and producers around the world continue to innovate and are constantly seeking to increase the quality of additional varietals such as Malbec, Touriga Nacional, Mourvèdre, Malbec, Grenache Blanc, Roussanne and others. We are lucky enough to be witnessing the dawning of a golden age of kosher wine diversification, encouraging the growing kosher oenophilic population to push their personal palate envelopes and explore the consistent slew of new offerings.

However, with all that creativity (assistant by the constant improvement and development of various winemaking-related technology) there are a few well-known varietals that remain exceptionally elusive within the burgeoning world of kosher wine, chief among them Riesling and Pinot Noir. Despite their many differences, these two grape varietals share a common characteristic that I believe to be one of the main reasons the kosher market has experience such middling success. Both are “transparent” varietals, chameleon-like and highly expressive of the terroir in which they are grown. Another trait they both share is that I have yet to write a complete article about either grape – until now (Riesling will also have its time in the sun, just not today).

One of the reasons for the trepidation is that I only drink kosher wines. After 25 years of being “into” wine and tasting the vast majority of the hundreds of quality versions of kosher Cabernet Sauvignon and Syrah produced around the world, I am quite comfortable with the varietals and their respective characteristics, enabling me to provide a relatively broad view on what the grape can do. The lack of quality kosher Pinot Noir has historically placed it in a completely different category, rendering it harder to “understand” (without availing one’s self of the non-kosher options).

Growing up trying to learn as much about wine as I could, I was constantly encountering descriptors of Pinot Noir bordering on idol worship. Nearly every descriptor, quote or discussion of the varietal conveyed a blend of desire, passion and sheer devotion balanced with intense frustration. Most winemakers will tell you that André Tchelistchef, one of the seminal winemaking personalities of the 20th century, was right on the money when he proclaimed that “God made Cabernet Sauvignon, whereas the devil made Pinot Noir.” This week we are going to learn about Pinot Noir, try to understand the source of its magnificence, explore whether “true” kosher versions exist and whether Israeli winemakers should continue to pursue quality Pinot Noir as a viable option.

Derived from the French words “pine” (alluding to the tight and pine cone-shaped clusters of fruit) and “black” alluding to the color of the grapes, Pinot Noir is among the world’s oldest grape varietals dating back to the 1st century when Cistercian Monks cultivated the grape in ancient Burgundy (some of the oldest monasteries are still standing). A number of its characteristics bear primary responsibility for its reputation as being difficult in both the vineyard and the winery (among the reasons for Tchelistchef’s quote). The grape’s notoriously thin skin and smaller leaves make it highly susceptible to the burning rays of the sun (a major reason, cooler climates are highly preferable for cultivating Pinot). Another major issue faced by warm-climate winemakers is the grape’s tendency for early ripening, which leaves little to no time on the vine for the grapes to develop their captivating sensuality before the sugar rises and acid levels drop, yielding grapes capable of producing flabby and uninteresting wines. Lest one think that cooler climates have it easy with Pinot Noir, the tight bunches of fruit make it highly susceptible to multiple types of rot, especially during those autumn rains, requiring a very high level of vineyard management ability to maintain proper quality. The thin skin and low phenols also result in typically lightly colored wines that are medium bodied and relatively low in tannins, creating uneven aging patterns and multiple dumb periods that can confound even the most experience wine tasters (the low tannic levels lead many winemakers to utilize whole cluster fermentation). Pinot’s sensitivity continues in the winery where it is at risk for being over handled and/or managed (making it a natural varietal for many producers of “natural wine”). Pinot Noir is also highly sensitive to yield, with many insipid versions a result of higher yields that stripped the grapes of their divine aromatics and silky characteristics. Lastly, it is genetically unstable and thus one of the quickest grapes to mutate, which has resulted in thousands of different clones (including the better-known Pinot Gris, Pinot Blanc and Pinot Meunier, all likely the same grape whose sole “mutation” is being a different color). According to Jancis Robinson, the wide planting of Pinot Noir clones in the “wrong place” is one of the main reasons for the huge qualitative difference between Burgundy Pinot Noir and versions grown in other regions around the world.

However, all of the negative characteristics are also what makes Pinot Noir among the most conductive of grapes. The grape’s ability to mirror the terroir in which it lives is the exact trait that elevates it to among the most valued of all grapes and makes it the poster child for the importance of terroir, especially as espoused by the French (who, as you know, label the wines using the region (down to the vineyard) in which the wine is grown as opposed to the varietal). Pinot Noir is most commonly associated with the Burgundy region of France which produced the finest expression of the grape which have also become the standard by which all other Pinot Noir wines must be judged (more on that later). Having originated from and been continuously cultivated in the region since the first century (a Pinot Noir-like varietal is first alluded to in Columella’s Res Rustica), the perception was that Pinot Noir could only be grown in Burgundy persisted for hundreds of years (an perception many wine historians attribute to the propaganda triumph of the Dukes of the House of Valois-Burgundy). The Vosne-Romanée commune of the Côte-d’Or is among the most highly regarded regions for Pinot Noir, containing two of the world’s most famous vineyards; the Romanée-Conti and La Tâche from which two of the most acclaimed eponymous Pinot Noir wines are produced (both owned by the acclaimed Domaine de la Romanée-Conti winery). The Gevrey-Chambertin village in the Côte de Nuits is also responsible for some of the most exceptional expressions of the grape.

While one could generalize the flavor profile of Pinot Noir as red cherries, raspberries, cranberries and lavender with earthy gaminess, pungent mushrooms and forest floor providing secondary flavors and aromatics that make the wine special, the transparency of Pinot Noir ensures a vastly diversified flavor and aromatic-profile that is primarily driven by the different terroirs around the world in which quality Pinot Noir is being grown today. As opposed to Cabernet Sauvignon, Merlot and Syrah where power, tannins, rich color, extracted fruit and cellaring ability are highly valued traits, Pinot Noir is haunting, light on the palate, a consummate match to most foods and typically provides a shorter lifespan (a generalization, as some of the finest versions don’t come into their own for more than a decade after which they can age gracefully for 50 years or more). A quality Pinot Noir should be ethereal, sensual and fleeting but with sufficient depth and complexity to properly convey gravitas and most importantly, showcase its “sense of place” in the purest possible way. Quality Pinot Noir will be among the most elegant of wines, have a supple texture and bright and vivid flavors all perfectly balanced and without being overpowering. Given its relatively delicate nature and supple texture, Pinot Noir is almost never blended with other grapes (where the conveyance of terroir would most likely be lost), with Champagne being one of the prime exceptions to this (where it is most often blended with Chardonnay, the “other” Burgundy varietal).

Driven by the sheer splendor of the world’s greatest Burgundies, winemakers around the world continuously twist themselves into knots attempting to coax a semblance of that haunting splendor from their own vineyards, wherever they may be located. During my continuing quest for quality kosher Pinot Noir, one of the questions that continues to haunt me to this day is whether quality Pinot Noir is defined as being as closely reminiscent to Burgundy or whether the grape can and should be unshackled from hundreds of years of tradition and allowed to freely express that which it most desires – whichever terroir it happen to find itself. In other words, is varietaly true Pinot Noir only those wines which showcase the flavor and aromatics of Burgundy or can is the varietal characteristic of Pinot Noir its ability to purely convey a sense of place – any place in which it is grown? While Burgundy lovers tend to posit the former, I find that to be a result of their inability to separate Pinot Noir the grape from Burgundy the appellation that is likely most suited to grow it (most suited but not the only one).

Despite the clear superiority of Burgundy, many other regions around the world have succeeded in producing highly regarded Pinot Noir wines with almost as much Pinot Noir being grown today in America (~73,500 acres) as in France (~75,500 acres). Some of the regions that have seen success include New Zealand’s Marlborough, Australia’s Yarra Valley, the cooler regions of Chile and Argentina and more recently Oregon’s Willamette Valley and more surprisingly California’s Carneros, Russian River Valley, St. Rita Hills and a number of cooler coastal vineyards in Santa Barbera (assisted greatly by the Pacific Ocean’s cooling fog). The common denominator among all of these regions is their relatively cooler climates, generally considered a pre-requisite for cultivating quality Pinot Noir. Similar to the differences between Old World Bordeaux and New World Cabernet Sauvignon, New World Pinot Noir tends to have a cleaner and more pronounced fruit-driven profile, less “barnyard notes and is more heavily reliant on oak barrels than its Burgundy muse.

Channeling the same ambition, willingness to risk it all, creativity, entrepreneurship and good, old-fashioned chutzpah that continues to put “Start-Up Nation” at the forefront of technological advances, Israeli winemakers are constantly pushing the envelope and challenging the minuscule grape-growing region of Israel to produce high-quality versions of nearly every grape imaginable, with Pinot Noir being no exception. “If they can grow it, so can we” could easily be the umbrella slogan for the majority of Israeli winemakers. While the [growing] handful of Israeli winemakers focused on the ever-so-worthwhile endeavor of finding the varietals best suited for Israel’s unique terroir(s) continue to create the best Israeli wines, this shouldn’t stop us from applauding the boundless enthusiasm and creativity showcased by those pushing the envelope in every which way.

Introduced to Israel in 1985 at the Latrun Monastery by two brothers, the varietal only gained popularity once quality versions started being produced by the Golan Heights Winery. Thinking that the cooler Golan Heights region would provide the fickle grape with the requisite protection form Israel’s burning sun and warm-climate terroir, the winery planted its first Pinot Noir vineyards in 1993 and released its first commercial vintage for the 1999 vintage. Consistent with the “house style” of the winery, the Pinot Noir wines produced by the Golan Heights winery were bright, fleshy, fruit forward wines with plenty of oak and heavier bodied and more extracted than traditional Pinot Noir. These wines (and the vast majority of Israel and other kosher Pinot Noir wines that followed) have driven robust conversation among Israeli and kosher wine lovers on whether Israel can (and more importantly should) try to produce quality Pinot Noir. However, I believe the objection to such wines is less driven by the stylistic difference from the beloved Burgundian versions and more reliant on the fact that the vast majority of Israeli Pinot Noir conveys no sense of place, yielding a wine that feels like it could have been grown anywhere. Being a region so obviously different from Burgundy, many posit that it is impossible to do so and winemaking efforts would be far better served applying themselves to growing the grapes better suited to Israel’s terroir. I agree that winemakers attempting to create Burgundy-style Pinot Noir in Israel are on a fool’s errand (even when once in a blue moon an Israeli Pinot Noir is reminiscent of Burgundy like the 2008 Yarden Pinot Noir, it still isn’t Burgundy) but as I said above, who said Pinot Noir has to be “Burgundian”?

With the varietals greatest feature being its ability to cleanly transmit terroir, why not focus on clean wines that that represent the purest expression of Israeli terroir? While the production of Pinot Noir solely in response to market demand by less-than-talented Israeli winemakers borders on the criminal and must be discouraged in every way imaginable, there are supremely talented winemakers in Israel who source their Pinot Noir grapes from vineyards of tremendous quality and forge Pinot Noir wines with plenty of the necessary charm and sensuality, while maintain an Israeli style. While the list is laughingly short, it does exist and is comprised of Ella Valley (2005 and 2008), Gvaot (from the 2009 vintage, although only the 2010 vintage left me with the breathless feeling so associated with Pinot Noir – the rest are more robust variations of the grape that trade some of that delicacy for power) and the aforementioned 2008 Yarden (the 2012 Gamla Pinot is a terrific wine with high QPR, but not representative of “Pinot Noir” in any way). Pinot Noir will obviously never been the star of Israel’s oenophilic portfolio but the few examples mentioned above prove that in the right hands and with the right fruit, true expressions of Pinot Noir can be made in Israel.

That said, and perhaps the best argument against Israeli winemakers continuing to produce Pinot Noir that I have heard is that of specialization. Unlike many other noble varietals, Pinot Noir is an elusive grape, whose ability to produce quality wine is so tied to its unique terroir that simply dabbling in its production is more likely to bring heartache than success. The level of vineyard management, winemaking expertise, familiarity with the terroir and other criteria necessary to properly manage its moodiness, renders it nearly impossible to attain the highest levels of expression when it is simply another varietal being produced. The finest Pinot Noir wines (regardless of where they are grown, although Burgundy is obviously the prime example of this) are produced by winemakers who spend their lives immersed in small plots and dedicated to coaxing the best the temperamental grape has to offer.

Over the years Israeli Pinot Noir has been produced by a long list of kosher and non-kosher wineries including Avidan, Barkan, Ella Valley Vineyards, Galil Mountain, Golan Heights Winery (in both its Gamla and Yarden series), Gush Etzion, Gvaot, Katlav, the aforementioned Latrun, Livni, Pelter, Tanya, Tishbi, Tura, Tzuba and Vitkin. Outside of Israel, Pinot Noir is produced by a number of kosher wineries including California’s Covenant (for their Landsman club with the 2011 being my favorite to date), Four Gates, Hagafen (under both the black and red labels), Herzog (under a number of labels), Hajdu (the Makom label we discussed two weeks ago) and Shirah; Italy’s Borgo Reale; New York’s City Winery, New Zealand’s Goose Bay; Oregon’s Alex Eli and Washington State’s Pacifica. Additionally and most notably, many kosher Burgundies have been produced over the years (including a large number of very expensive and extremely mediocre wines sourced by négociant Roberto Cohen), the vast majority of them not being worth the bottle in which they were sold. Two notable exceptions to this rule and perhaps the only quality true Burgundy kosher Pinot Noir wines produced to date, are the 2004 Clos Vougeot (which continues to suffer from extreme bottle variation) and the 2002 Aloxe Corton Domaine Ravaut (which remains majestic). Additional quality kosher Burgundy options have included the 2004 Domaine Pierre and 2010 versions of the Aloxe Corton and a Gevrey Chambertin that I have not yet tasted.

Being among the most aromatic of all red wines, the best wine glass in which to experience all a quality version has to offer is a balloon glass (otherwise known as a Burgundy glass). As I mentioned earlier (and repeat annually around Thanksgiving time), Pinot is a great match to most foods but is exceptionally well suited to gamier fare including turkey and duck.

Listed below are tasting notes for a number of kosher Pinot Noir wines I have recently enjoyed. Not included in this list are wines I recently reviewed (like Hajdu’s Makom and the 2008 version from Ella Valley), those no longer available (like the Alex Eli from Oregon), Rosé and sparkling wines whose primary component is Pinot Noir and, as always, wines that I have tasted but did not find worthy of recommending.

Shabbat Shalom,
Yossie

Chateau De La Tour, Clos de Vougeot, Grand Cru, 2004: While others have reported significant bottle variation, the majority of my recent tastings have yielded a quality wine (unlike the less than great 2002 vintage of the 2003 vintage whose bottle variation was off the charts from its release). Clos Vougeot is a large vineyard with numerous owners and winemakers, making consistency a tough thing to maintain. According to the late Daniel Rogov “the vines produce wines so beloved that even today, when French soldiers march past the land, they salute.”. A slightly subdued nose of cherries, strawberries, floral notes, roasted herbs, freshly turned rich and dark earth and slightly smoky oak leads into a medium-bodied and exceptionally elegant palate with silky supple tannins and plenty of balancing acidity yielding to now integrated notes of bright red summer fruits, ripe cherries, saddle leather, freshly cured tobacco leaf and hint of herbaceousness that intrigues.

Covenant, Landsman, Pinot Noir, 2011: While the 2013 vintage is the “current” version, I very much prefer the 2011 which I find to be their best yet and which should be enjoyed in the very near term. Despite its roots in the big, bold world of Covenant, the wine is a refined and delicate beauty. A lovely nose and palate of bright red cherries, red plums, nice herbs and delightful floral notes. On the medium bodied palate, well integrated and caressing tannins backing up the fruit and spices with judicious acidity ensuring proper balance and a structure that means business. Drink now.

Ella Valley Vineyards, Pinot Noir, 2008 (Shmittah): While not every wine I have tasted from the vaunted 2008 Israeli vintage is the superstar some would have us believe, this wine made from 100% Pinot Noir Grapes harvested from Ella Valley’s Aderet vineyard was really delicious and something special. An elegant wine and full bodied (yet so gentle) with plenty of black and red fruit on both the nose and palate including black cherries, cassis and strawberries with some spicy oak resulting from the 16 months in French oak leading into a strawberry and cherry-laced finish with a hint of tannin. Bold tannins that needed some time to settle down in the glass but with a stylish structure that bodes extremely well for the continued development of this wine. In an effort to pamper this fickle grape, Ella Valley actually erected a canopy over the vines to protect from the harsh Israeli sun. I don’t know if it helped but the proof is surely in the wine, which is scrumptious. Drink now or in the next 12 months.

Four Gates, Pinot Noir, n.v: I don’t know if I have ever used beautiful to describe a wine but there really isn’t any other word to describe this medium bodied violet scented wine with a gentle nose. Blended with 50% each from the 2007 and 2008 vintages, this wine was great on its own but incredible with food. Plum, cherry, raspberry and cranberry on both the nose and palate with some nice hints of roasted herbs, toasted oak and kirsch. A medium and caressing finish rounded out this lovely wine.

Four Gates, Pinot Noir, 2009: While not at all Burgundian in style, the wine is definitely a varietaly true Pinot Noir as it succinctly conveys exactly where it was made (and by whom). Benyo’s traditionally high acid provides the backbone for this intensely flavored and highly aromatic wine. The wine opens with an effusive nose of intense red cherries and raspberries, rosewater, earthy minerals and toasty oak. The sensuously supple medium-bodied palate has plenty of bright and near-sweet red fruit, some rich black fruit lurking in the background, along with freshly rained-upon forest floor, limestone minerals, gobs of mouth-watering acidity and a hint of herbaceousness on the lingering finish. Supremely elegant and among the sexist wines he has ever produced, the wine is beautiful in every way imaginable.

Golan Heights Winery, Yarden, Pinot Noir, 2008: Despite being the poster child (or punching bag, depending on your perspective) for the argument against Israeli pinot noir, the 2008 vintage stands out as the winery’s finest attempt at the elusive “varietaly true” Pinot Noir. Despite spending almost a year and a half in French oak and yielding at least 14% AbV, this medium bodied wine is exceptionally well-balanced between the mostly bright red fruit tinged with tart raspberries and cranberries, rich forest floor, tons of bright acidity, plenty of spices and a hint of roasted herbs. Dancing on the palate as a true Pinot should, Victor’s traditionally elegance shines through and provides the best Pinot Noir wine from the winery today and one of the best ever produced in Israel.

Gvaot, Gofna Reserve, Pinot Noir 2012: After a weaker 2011 vintage (for their Pinot Noir), Gvaot made two pinot Noir wines in the 2012 vintage. One version is label under their flagship Masada label (and priced accordingly) comprised of grapes sourced from their ‘local” Har Bracha vineyard. This wine came from the same Har Bracha vineyard as past vintages and after spending 12 months in French oak, presents more like a varietal Pinot Noir (albeit of lesser quality) than its more robustly New World elder sibling. With plenty of tart and near-sweet small red fruit on both the nose and medium bodied palate, the wine showcases pungent forest floor, flinty minerals and a subtle note of slightly toasty oak that enhances the fruit flavors in an intriguing way. While not the 2009 or 2010 vintage, this is a delightful wine that continues to show why Shivi should be on anyone’s shortlist of Israel’s top winemakers.

Gvaot, Gofna, Pinot Noir, 2010: Blended with 10% Merlot and aged in French oak for 12 months, this medium bodied wine is simply delightful. Only 650 bottles were made rendering it terribly tough to lay your hands on. The wine has a rich nose loaded with wild flowers and ripe red fruit, plenty of controlled toasty oak and cedar. The delicious and mouth filling palate had plenty of raspberries, cherries and plums with hints of spice, espresso and cigar box all leading into a lingering finish of more fruit, forest floor and toasty oak. An elegant wine, showcasing the rich Har Bracha terroir from which it was sourced. Drink now.

Gvaot, Gofna Reserve, Pinot Noir 2009: Gvaot’s first release of Pinot Noir in a limited edition of 550 bottles and a rousing success (although no longer available anywhere). Produced from vineyards at 720 meters above sea level where the delicate and high-maintenance grapes benefit from the natural protection of the valley’s walls. A medium bodied wine and sensual wine, whose depth of flavor and complexity is immediately recognizable on the rich nose of red fruit and wild flowers which follows through on the promise to a palate replete with cherries, raspberries, a tantalizing hint of strawberries, the typically Israeli crushed warm herbs and a nice spiciness from the 12 months in old French oak. Lovely right now, with great balance and elegant structure, this wine will continue cellar nicely through 2017. The 12.5% AbV is an added bonus.

Hagafen, Pinot Noir, Combsville, 2011: While not yet a single block Prix Pinot Noir of yore; it certainly appears that Hagafen has gotten its Pinot Noir groove back as this is a very nice and medium-bodied wine, reminiscent quality-wise of past successful vintages. Plenty of raspberries, strawberries and other bright red fruit, are accompanied by a tinge of earthy minerals, a hint of spiciness and rounded out by a medium finish. Drink now through 2016.

Tura, Mountain Vista, Pinot Noir, 2013: Sourced from the same quality Har Bracha vineyards as the excellent 2001 version (along with the 2012 Gvaot Pinot Noir), the wine got an extra boost from ten months in oak that managed to give the wine some added “Israeli-richness” while remaining well-balanced with the bright red fruit, floral notes, tart cranberries and near-sweet cedar. With a subtle undertone of earthy minerals and caressing tannins, the wine is sure to please. Enjoyable now through 2017.

An Ode to Pink

#292 – May 20, 2015

Despite New York reverting back to more typical Spring weather these past few days, the recent tantalizing days of summer-like weather were sufficient to galvanize me into my annual ode to Rosé, easily one of the most glorious of all wine genres and unfortunately still snubbed by a large percentage of wine drinkers (although after years of my heavily promoting Rosé, the tide certainly seems to be turning [a little] making Rosé more like Carthage than one would have ever imagined).  The same goes for white wines in general and while I still encounter avowed red wine-only stalwarts from time-to-time, it only takes a few sips of some carefully curated crisp white wines to win them over to the charms of white wines forever.

While Rosé is certainly not the only beverage capable of providing vinotastic relief from sweltering heat (crisp Sauvignon Blanc comes to mind and apparently there is something called Beer that works too), it is and always will be the perennial summer wine (although as Eric Asimov wrote many years ago it is consumed too infrequently and should be enjoyed year-round).  With a beautiful pink color, tons of tart berry fruit, a typically low(er) alcohol content and oodles of refreshing acidity, it’s the perfect summer beverage, best enjoyed out of doors and well chilled.  Rosé gets extra credit for typically having a low price and exhibiting extreme food-pairing versatility.  As you will see from the numerous tasting notes below, Rosé can be and is made from almost any red grape including Cabernet Sauvignon, Merlot, Cabernet Franc, Barbera, Carignan, Syrah, Sangiovese, Zinfandel, Tempranillo, Grenache and Mourvèdre in addition to blends of these and other grapes.

Rosé wines are made using a number of different techniques and its name (French for pink) encompasses all wines falling between red and white on the color spectrum.  One method of producing Rosé is maceration, in which the [white] juice of red grapes is allowed minimal contact with the red grape skins (typically between a few hours and a few days) before the skins are discarded.  Generally speaking, the longer the contact with the skins the darker in color and the more full-bodied and tannic the resulting wine will be.  Given the limited contact with the skins, almost no tannins are imparted into the juice allowing the wine to be enjoyed well chilled (see my wine-serving temperature newsletter).  This is the method by which the highest quality Rosé is produced and many a time is produced from grapes that were specially cultivated for Rosé and harvested a little earlier than usually to allow for higher acidity and less sweet-like fruit.  As Rosé continues to penetrate the echelons of more sophisticated wine consumers, winemakers are spending more time, effort and money in crafting higher quality Rosé wines to service their needs, often with terrific results.  As would be expected, this increase in quality is almost always accompanied by a bump in price with many of the better kosher Rose versions now hovering around the $30 mark, moving them out of the “everyday drinking” wine range for most consumers.

Another common Rosé-making method is the Saignée method; a byproduct of making red wine.  In this method, the wine maker “bleeds” the vats containing the wines for any number of reasons, and then uses the bled-off juice to make Rosé.  A common reason for doing this is when a wine maker wants to increase the intensity of a red wine they are producing they drain some of the pink juice prior to fermentation which results in a higher concentration of red juice and a more intensely flavored wine.  The drained pink juice is fermented separately and results in Rosé.

Another, far less common and barely worth even mentioning, production method is blending red and white wines.  Other than with respect to the cheapest and most commercialized of wines, this methodology is only utilized only in Champagne, where Pinot Noir is added to a Champagne base to create the sexiest of all wines – Rosé Champagne (and in other regions where Rosé sparkling wine is created).  Very rarely, the method of maceration is used to create Rosé Champagne (in which the Pinot Noir grapes are allowed very brief skin contact during fermentation).

In the United States, Rosé is also known as blush wine or “White [X]”, with the [X] substituted with whichever grape the wine in question is produced.  One unfortunate example would be “White Zinfandel” that, for some unfathomable reason, tends to be a pretty popular wine (while being a wine you should never, ever drink).  If there were ever a wine that could compete with the Blue Bottled Abomination for my oenophilic disdain – White Zinfandel would be it.  Besides the general inferior quality, most White Zinfandel has an unpleasant bubble gum flavor and almost every kosher version of this poor excuse for a wine bears at least partial responsibility for the bad association many uninformed people still have about kosher wine.

Among its many charms is how delightfully refreshing the wine is when served well-chilled and how much simple (or mindless) enjoyment it can provide (as opposed to more sophisticated wines that many a time require your substantial attention in order to be fully appreciated).  While some Rosé wines lose some of their aromatics and complexity when served overly chilled, generally speaking I like to serve Rosé at about 46-50ºF (8-10ºC) – which is slightly colder than its optimum drinking temperature.  As Rosé is very often enjoyed out of doors, this allows the wine to gradually come to the right temperature in your glass so it can be enjoyed properly as opposed to starting out at the right temperature and rapidly becoming warm and insipid before you get past your first sip.  Rosé is the quintessential picnic or brunch (or breakfast!) wine, matching beautifully with omelets, fried and lightly grilled fish and much of the lighter fare we tend to start reaching for as the mercury skyrockets.

The majority of Rosé wines contain a varying touch of residual sugar in their Rosé which is many a time exacerbated by the impression of sweetness driven by the typical abundant rich summer fruit that is typically found in many Rosé wines.  My personal preference is for exceedingly dry and crisp Rosé wines, a genre of Rosé that historically has provided slim pickings for the kosher wine consumer, especially for those who enjoy Israeli wines (likely a historical remnant of the Israeli wine-drinking public’s preference for sweetness).  Thankfully the availability of higher-quality and dryer Rosé options has skyrocketed over the last three years with more and more wineries creating very nice options for those seeking a higher performing wine.  Some of the most impressive recent additions include the amazing Brut Rosé from the Golan Heights Winery (which augments their already impressive portfolio of sparkling wines), the popularly priced offering from Tabor in their Adama series (both previously reviewed) and Blanc de Pinot Noir from Goose Bay (reviewed below).  While many of these new options still contain a bit of residual sugar, there continue to be an increasing number of dryer versions available (and there is nothing wrong with a bit of RS from time to time either, especially in a delicious summer quaffer).

While affordability is typically one of the best characteristics of Rosé, many of the Israeli versions continue to suffer from the Achilles Hell of Israel’s wine industry – pricing.  With the majority of better Rosé options clocking in at $25-30 range (or higher), they represent a larger investment than is practical when looking to consume Rosé on a daily basis, especially throughout the warmer months and, dare I say, an inappropriate price point for what they are.  That said, there are a number of well-priced options including versions from Recanati, Domaine Netofa and Dalton.  Another item of note is the rise of the California Rosé (which remain on the pricier side other than Hagafen’s Don Ernesto, but for the most part are of terrific quality, interest and deliciousness) which includes quality offerings from Hagafen, Covenant, Hajdu and Shirah.

The list below covers 14(!) different Rosé wines and doesn’t come close to covering all the recommendation-worthy ones I recently tasted (remember – I only write about wines I liked), let alone the more than 40 different available Rosé wines.  In addition to those listed below and the aforementioned Tabor and Yarden versions, check out the alive and kicking 2012 Tavel Rosé from Domaine Lafond, the unique Rosa from Agur, the intriguing Rosé in Trio’s “Secret” label and the offerings from Kishor, Lueria, Psagot, Odem Mountain, Galil Mountain and others.  The one Rosé that I didn’t have a chance to taste yet (it will likely be tasted tomorrow) is the 2014 Gris Rosé from Hajdu.  However, given the sheer awesomeness of the 2013 (and the general high-quality of Jonathan’s wines), I am reasonably certain that its well-worth your efforts as well but feel free to wait a few weeks until my full-blown newsletter on Hajdu comes out and see for yourselves.

There are two final things to keep in mind when plunking down your hard-earned shekels for Rosé.  Similar to white wines, Rosé wines are meant to be drunk as close to release as possible so always look for the most recent vintage year as they lose their bright, fresh flavors quickly.  Unfortunately many of the Israeli offerings currently on the shelves in New York are from the 2013 vintage and while some may be enjoyable, I highly recommend pushing your local retailer for the 2014 versions.  Additionally and as I alluded to earlier, Rosé is not a wine to be taken seriously – they are meant to be fun – so chill, relax and enjoy!

Bat Shlomo, Rosé, 2014:  Following on their successful 2013 Rosé, Bat Shlomo continues to deliver on its promise to do more than its fair share of helping elevate the quality of Israeli white and Rosé wines producing this delightfully crisp and refreshing wine.  Once again a blend of mostly Cabernet Sauvignon with some Petit Verdot and Cabernet Franc blended in (the wine is Saignée from the winery’s flagship Betty’s Cuvee).  With plenty of ripe, mostly red, summer fruits on both the nose and medium-bodied palate (with some hints of blueberries adding an intriguing freshness), along with some warm herbs and slightly saline minerality and plenty of citrus including rich red grapefruit and lemon curd, the wine is dripping with mouth-watering acidity that wraps the rich fruit in a bracing package and ends with a slightly spicy and bitter finish that pleases immensely.  This isn’t your grandma’s Rosé – simply delicious.

Carmel, Vineyards, Rosé, 2014:  A blend of Tempranillo and Grenache which spent minimal time on the skins, this richly colored wine is housed within Carmel’s “Vineyards” label, primarily destined for restaurants but also available on the shelves.  An intriguing nose of typical ripe strawberries, crushed rose petals and cherries is enhanced by notes of milk chocolate, black pepper, red grapefruit and a nice herbal bite which leads into a rich and near-sweet medium-bodied palate with enough acidity to keep the fruit and spiciness lively.  Delicious and with sufficient complexity to keep even the snobbier Rosé drinkers engaged.

Covenant, Red C, Rosé, 2014:  After beefing up their second label a few years ago by adding a delightfully crisp and refreshing Red C Sauvignon Blanc, Jeff Morgan returned to his roots last year and introduced a Red C Rosé which was only sold directly from the winery and was gone rather quickly.  Anticipating elevated customer demand, the production was slightly increased for 2014 and produced a very well-made and crisply refreshing wine from a blend of Grenache, Syrah, Zinfandel, Merlot, and a smidgen of Cabernet Sauvignon.  The nose is redolent of sweet strawberries, slightly tart cherries and raspberries and tangerines along with hints of watermelon, rose hip and floral notes together with a subtle hint of minerality and Oriental spices.  The medium-bodied palate has plenty of ripe summer fruit along with crisply refreshing acidity, more minerals, some citrus pith, a touch of crème fraîche and a general brightness that pleases.  There is also a perception of sweetness that will be well-received by most but was more than I would have liked to see in a Rosé of this quality.  A welcome addition to the growing world of quality Rosé but one that is accompanied by an elevated price tag that makes it the most expensive kosher Rosé out there (other than the overpriced [and now over the hill] Rosé Champagne from Laurent Perrier and the limited edition kosher Château d’Esclans, Garrus, Rosé, 2013/2014, the regular (i.e. non-kosher) version of which is [in]famous for being the most expensive Rosé in the world)).

Dalton, Rose, 2014:  Along with the second Recanati Rosé reviewed below, Dalton has long been the poster-child for an Israeli well-made and priced Rosé, while usually being on the slightly sweeter (and crowd-pleasing) side.  The 2014 version, a blend of 53% Shiraz, 40% Cabernet, 8% Barbera all harvested early specially for this wine, continues on that trend and represents another hit in Dalton’s already large and continuously growing portfolio of successes.  While a very nice wine, sadly for me, the winery didn’t follow on the 2013 vintage which was more complex and less sweet than prior vintages and much enjoyed by me).  Plenty of freshly picked strawberries on both the nose and light bodied palate, the wine has abundant crisp and refreshing acidity along with tart red raspberries and cranberries keeping things lively despite the ~6% residual sugar.  A very refreshing wine with a welcome 12% AbV that will allow you to enjoy this wine early and often.  A crowd-pleaser and one to stock up on as you will go through your stash at a surprising speed.

Domaine du Castel, Rose, 2014:  As with the Flam and Yatir wines reviewed below, when a top-tier winery delves into the Rosé realm of lighter fare, the expectations are high.  Thankfully, all three wineries have managed to meet or beat expectations.  Starting with its inaugural 2009 surprise, Castel has consistently provided a top notch Rosé (with the exception of the somewhat weaker 2012 vintage) and this year’s release is not exception to that rule.  Similar to the 2013 vintage, the wine is a blend of Merlot, Cabernet Franc and Malbec, all harvested early and specially for the Rosé in order to avoid any hints of overly ripe or sweet fruit while also maintaining the necessary acidity to provide the type of wine Eli was aiming for.  A lovely nose of near-sweet fruit including strawberries, red cherries, watermelon along with rich citrusy notes of lemon, sweet clementine, guava, crushed rose petals and red grapefruit which are joined on the palate with hints of flowers, lavender and a slightly saline minerality, Judean Hill herbaceousness and terrific acidity.  Supple, elegant and exceptionally well-made, this impressive light to medium-bodied wine is one I wish was a tad cheaper so that I could drink it every day for the next five to six months.

Domaine Netofa, Rosé, 2014:  Continuing Not content to rest on his already considerable laurels, Pierre keeps the hits coming with this delightful and Provencial-styled Rosé with a distinctive Israeli twist.  With a near-ethereal nose of beautiful red fruit, rose water, plenty of flinty minerals and a subtle smokiness that is amazing, the nose on this wine is pretty spectacular (leaving a hard choice between over chilling the wine for refreshingness or enjoying it a little less cold in order to allow the complexity of the bouquet to shine through).  The medium-bodied palate is loaded with tart red fruit, plenty more flinty minerals, near-bitter tantalizing orange citrus notes, red grapefruit and a hint of stone fruits all backed up by gobs of mouth-watering acid that keeps the wine crispy and refreshing and, as we have come to expect from Pierre, provides far more nuance and complexity that we are used to in our Rosé wines (while remaining fun, sexy and wildly unpretentious).  Utilizing the prime Rhone grapes in his possession, the wine is a blend of 50% each of Syrah and Mourvèdre (as opposed to last year’s 55% Syrah / 45% Mourvèdre split); the wine is crisply dry and has a surprisingly long and pleasing finish.  This will likely be one of my go-to wines for the next 4 months (and should be yours too).

Ella Valley, Ever Red, Rosé, 2014:  With the winery floundering a bit to regain its previously prominent footing, I was happy to enjoy this nice little Rosé from Ella Valley.  A blend this year of Merlot (77%) and Cabernet Franc (15%) flushed out with some Syrah (8%$), the nose is redolent of mostly red summer fruit with strawberries and cherries featuring most prominently backed up by tart notes of ripe raspberries, red grapefruit and a hint of dried cranberries, floral undertones and a slight note of minerals that doesn’t make itself felt as much as I would have liked.  Decent acidity on the medium bodied palate is accompanied by more red fruit, nice notes of tangerines, limes and some grapefruit and culminating in a medium finish laced with some citrus pith which lingers nicely.  A refreshing treat that was very much enjoyed.

Flam Rosé, 2014:  As with every other wine they produce, the wine is supremely well made and delicious to boot.  Once again deviating from the prior year’s blend (and further reducing the percentage of Cabernet Franc), the 2014 version is 48% Syrah and 26% each of Cabernet Sauvignon and Cabernet Franc which resulted in a lusher mouthfeel while retaining the [slightly reduced] delightful herbaceousness and plenty of mouth-watering acidity.  The wine presents with abundant warm and freshly picked rich red summer fruit, white peaches, apricot, plenty of lovely floral notes, much of continues on the light to medium-bodied palate were the lovely fruit is joined by crisp acidity, plenty of slate and minerals all resulting in a crisply refreshing wine with sufficient complexity to keep any of us interested and enough mindless fun to get us through those long languid summer evenings.  The wine will go with most foods and can just as easily be enjoyed on its own.  13% AbV.

Goose Bay, Blanc de Pinot Noir, 2014:  This wine was one of the most pleasant “finds” of mine at KFWE earlier this year.  In a big improved from last year’s version, the wine is made of 100% Pinot Noir picked specially for this Rosé.  The wine spent two days on the skins which is relatively long for a Rosé and one of the things making this wine unique.  The extended time on the skins granted the wine extra body and flavor from the tannins along with a delightful spiciness that is uncommon in your quintessential Rosé.  A lovely nose with plenty of red cherries, tart raspberries, cranberries, warm strawberries with slightly subtle hints of blueberries, watermelon and floral notes are joined by a touch of white stone fruit, slate minerals and a touch of smoke.  On the medium to-full bodied palate the fruit is balanced by plenty of balancing acidity and a lovely overall spiciness that intrigues and delights at the same time. While the wine isn’t going to be appreciated by everyone, it should certainly be tried [at least once] by everyone.

Gvaot, Rosé, 2014:  Thankfully abandoning the dark burgundy color of the 2013 vintage, Shivi returns the title of Safe Bet Winery and produces a delightfully delicious Rosé well-worthy of having the Gvaot name on its label and a scrumptious light pink color.  Made entirely of Cabernet Sauvignon this is a good example of a wine that should be enjoyed slightly warmer than usual in order to fully experience all it has to offer (both on nose and palate).  An aromatic nose of strawberries, cherries, a hint of tart raspberries and ripe peaches along with subtle notes of citrus is followed by a light to medium-bodied palate loaded with rich red fruit, tangerines good bracing acidity and a fresh finish.  13% AbV.

Recanati, Gris de Marselan, 2014:  I am going to do my best to give the inaugural release of this supremely elegant and incredible wine the justice it deserves.  Utilizing the saignée method to bleed some of the juice out of Recanati’s 100% varietal Marselan (the latest addition to their phenomenally successful Mediterranean Reserve series) which spent three months Sur lie and didn’t go through malolactic fermentation, resulted in one of the most elegant Rosé wines I have had the pleasure of tasting (besides being simply scrumptious and a real treat).  This is a bright, crisply dry and refreshing wine that is guaranteed to please anyone who tries it, regardless of their personal preferences.  If you are one of those who “isn’t into Rosé” this is guaranteed to change that.  With a beautiful light peach color, the wine open with a nose that is loaded with fresh strawberries and floral notes, tempered by tons of warm spice, flinty minerals and a dry and medium bodied palate with plenty of bracing acidity keeping the near-sweet strawberries, black plum and cherry fruits in great balance with the tremendous and slightly earthy minerality, Oriental spices, crushed and fragrant rose petals along with a subtle hint of juicy watermelon.  While already the second year in which Recanati released a second Rosé (in addition to their stalwart reviewed below), last year’s version was a special limited edition while I am hoping this wine will become a regular member of Recanati’s impressive and continuously growing portfolio).

Recanati, Rosé, 2014:  One of longest standing stalwarts of YH Best Buy Rosé wines, the 2014 release and its sexy new label was simply unfortunately overshadowed by the inaugural release of the outstanding Gris de Marselan reviewed above.  That said, this little number should continue to reign supreme on your shopping lists as it provides more bang for your buck than nearly any other Rosé out there.  A rich and fruity blend of Barbera (80%) and Merlot (20%), the wine opens with a ripe nose of crushed red berries, rich strawberries and juicy red grapefruit and floral notes that you could easily get lost in if you weren’t aware of the deliciousness awaiting you on the light to medium bodied palate loaded with more ripe warm red fruit, a hint of black fruit, a streak of slightly bitter herbaceousness and some citrusy notes.  A little less acidity and a tad of residual sugar than I would have liked might leave a few of you lemon loving crazies slightly disappointed but everyone else will love this wine and rightfully so.

Shirah, Rosé, 2014:  After the phenomenal inaugural success with Rosé enjoyed by the Weiss brothers’ 2012 release, expectations were running [way too] high for its successor.  Despite falling a tad short in that department, the wine is delightful and should not be penalized for falling short of any unrealistic expectations that may have been set by the incredible 2012 version.  Once again using saignée Grenache (with 20% Pinot Noir blended in this time – also saignée from the 2014 JSV Pinot Noir), the wine contains a bit more residual sugar that its predecessor which will be enjoyed by many (including those who prefer dryer versions).  A bountiful nose with plenty of near-sweet strawberries, tons of red grapefruit, candied cherries and raspberries and a bit of blueberries along with flinty minerals, slate and a touch of salinity that is a bit hard to pick up on.  The medium bodied palate has plenty of rich and ripe red sweet fruits, great acidity, more mouth-watering citrus and some warm spices that provide a nice complexity to this refreshing and delicious wine.  Load up and enjoy.

Yatir, Rosé, 2014:  Safely occupying the upper echelon of Israeli wineries since its inception, the winery continues to impress with new releases, this time it’s first Rosé since 2005 (when it released a “Shani” (Hebrew for scarlet) Rosé) when it also released it’s only Port.  In any event, as one would expect from under the expert hands of Eran Goldwasser, the wine is delightful (and as would be expected from Yatir – not cheap) although a bit on the sweeter side for my personal liking.  A blend of Grenache and Tempranillo, the wine exudes Yatir’s characteristic elegance.  Plenty of tart red ripe strawberries and raspberries on the bright nose are joined with warm spices, hint of herbaceous and warm blooming fields of flowers, great minerality and some surprisingly tropical notes of juicy peaches, melon and apricot.  The light to medium-bodied palate has plenty of acidity wrapped around the copious and slightly sweet fruit, floral notes, some mocha, near-sweet mostly red fruit with plenty of lip-smacking citrus providing the needed complexity.  While the wine is obviously not intended for aging and should be enjoyed now, the impeccable structure, complexity, light tannic hand and good acidity led me to stash a bottle in the dark recesses of my cellar to check in with it in five years’ time and see what it looks like.

Once in a New Moon (RCC)

new-moon

RCC was recently covered in the Jewish Week and the UK’s Jewish Chronicle.

I have a problem.  Within a few years after I “got into” wine at the tender age of sixteen, I started to collect wine with the intention of cellaring certain bottles.  By that time I had been taught by Avi Ben, Daniel Rogov and others, that many of the highest-quality wines needed additional time in the bottle following their release by the winery, in order to attain that peak of perfection.  Primarily related to economic realities, the vast majority of wineries around the world (kosher and non-kosher alike) release their top tier wines well in advance of their being “ready”.  While the 2011 flagship Forest wine from the Yatir Winery may be enjoyable upon its “release” by the winery, it will take many years of additional aging time in its bottle (hopefully in the cool, dark recesses of a wine lover’s cellar) before it will express itself in the way its creator intended us to enjoy it.

It is a terrible misfortune that many people spend large sums of hard-earned shekels on many terrific (and expensive) wines and then proceed to pop them open and the earliest opportunity, thus committing oenophilic infanticide on a criminal scale.  Such folks are obviously not [yet] readers of this newsletter, where I try to always indicate whether a wine needs more time, airing out and what the tie frame should be.  Patience is also a virtue, the lack of which interferes with the ability to cellar wines to their proper maturity, a problem all of humanity suffers from and which is exacerbated for oenophiles by their desire to taste the liquid treasure they have just purchased.

However, for those of us who do collect and cellar wines, these specially cellared wines present the greater problem to which I alluded to in the opening line of this newsletter.  The problem is with whom to share these wines that have taken on a special nature due to additional effort, time and thought that has gone into helping the wine reach this day of perfect maturity.  When digging through my wine cellar to select wine(s) for any particular occasion (a Shabbat or holiday meal, dinner with friends, a night out at a BYOB restaurant or even a random Wednesday night at home), I often found myself rejecting great wines that were ready to drink, appropriate for the activity and/or meal in question and most importantly, I “was in the mood for”, simply because I felt that they would not be “properly enjoyed or appreciated by the folks with whom I was intending to share them”.  While I consider myself very lucky to have a large group of terrific friends and acquaintances, garnered from across many walks of life, the majority of these lovely people do not get as excited about wine as I do, to say the least.  While I love sharing with my friends, when you have spent considerable time and effort to accumulate some special wines, it is much more fun to open them with someone who will understand and appreciate the meaningfulness behind a bottle of Covenant’s inaugural 2003 Cabernet Sauvignon than someone who will take a sip and simply remark “wow, this is really good”.  The result of this repeated process was that many of my favorite wines languished on the shelves of my cellar for years, always waiting “the right time”.

Being happy with my circle of friends and acquaintances, the suggestion of a fellow wine lover to “get better friends, I did” wasn’t going to work for me.  The invention in 2007 of the “Open that Bottle Night” by the then wine editors of the Wall Street Journal was a pretty promising development in my search for a solution.  Facing more or less the issues I mentioned earlier, Dorothy Gaiter and John Brecher came up with the concept that, once a year (on the last Saturday of February each year), wine loving individuals got together with friends and their bottles and each opened that special bottle (or bottles) of wine that always seemed to be waiting for that elusive “right moment” everyone seems to be waiting for.

While I thought that the concept had substantial merit as a potential solution, I felt that if one is already going to find a solution, it should actually solve the problem at hand and the thought of doing this only once a year seemed ludicrous to me.  So a little over two years ago, galvanized by an incredible 41 course wine pairing dinner I had recently attended with a crew of fellow wine nuts, I decided to launch the Rosh Chodesh Club (“RCC”).  The idea was to provide a monthly opportunity for a select group of true wine lovers to get together and share some terrific wines in a relaxed, friendly and intimate environment.

So I cobbled together a list of folks who lived in the area (and some who lived a little further away than that) whom I thought might be interested and sent out an invitation to the inaugural event.  With a pretty substantial response, the first RCC was held in honor of Rosh Chodesh Sivan on May 9, 2013, with me and nine fellow wine lovers in attendance.  Folks dug deep into their cellars and we enjoyed a smorgasbord of great wines including the 2004 and 2004 Château Pontet-Canet, the 2007 Old Vine Cave Cabernet Sauvignon from Binyamina, the 2001 Capcanes Peraj Ha’Abib and the 1999 Yarden Cabernet Sauvignon.  We were also lucky enough to enjoy a nice spread of delicacies, including some incredible 72-hour sous vide ribs prepared by one of the participants and generously shared with the group.

Fellow wine collector Charles Caleb Colton hit the nail on the head when he said that “imitation is the sincerest form of flattery” and the RCC has been no exception to that rule.  With the NYC chapter of RCC going strong, like-minded oenophiles are now attending RCC “franchises” in Los Angeles, Westchester, Miami, Strasbourg and Israel with additional one being formed in Wesley Hills, Chicago, the Bay Area and London.  I am hoping that Toronto, Paris and Melbourne will follow soon (as soon as we have “collected” enough potential participants).

I decided to write about RCC after two years in the hope that many of you will choose to join one of these groups or start one of your own if you are in a locale where no RCC currently exists.  Having all of those great bottles stored away is meaningless unless you actually drink them and doing so with like-minded wine lovers enhances the experience significantly.  To that end, please let me know if would be interested in being added to the potential list of invitees to any particular franchise, whether you would be interested in starting your own and if so, whether you would be willing to host such an event.  As always, please feel free to reach out to me directly if I can be of any assistance, especially in getting additional RCCs off the ground.  If you happen to live in London or Chicago (or close by) and are interested in joining – please let me know as soon as possible as we are currently compiling guest lists for these cities.

As inspiration for the types of wines that can be enjoyed at an RCC, you can check out the list of wines that have been served to date at the NYC RCC (password is RCCNY).

While the “rules” of each franchise are slightly different, I have set forth below a number of general tips and suggestions that are being used with varying degrees of conformity at the different RCCs

Shabbat Shalom,
Yossie

RCC Guidelines

While it may seem odd to have rules for something intended to be fun and relaxing, one of the biggest secrets of a successful RCC is the format and consistency, which combine to help all the potential participants enjoy the event and feel on equal footing with everyone else in attendance.  For convenience, I have split the suggestions into the three primary components of any RCC: the guest list, the wine and the hosting (including the food).

General

Each participant in an RCC brings one bottle of special wine to share with the group.  That is the sole contribution necessary in order to join and participate.  Some franchises have the folks participate in the cost of hosting (see below), but given the relative low cost involved, I think that having a revolving set of hosts is a much better solution that having people pay to participate.  The cost issue can be further mitigated by simply lowering the amount/levels of food at any given RCC.

The Guest List

  • The number of guests should be limited to 10-12 people. This is the maximum number of people who can share a bottle with each person getting a sufficient amount of the bottle to actually enjoy it (as opposed to a taste).

 

  • For the RCC to “have legs” and sustain a monthly schedule, you will need a “pool” of potential participants greater than the amount of “spots” (as crazy as this may sound and despite the awesomeness of RCC there will be mitigating factors that will prevent people from participating every month). If possible, I recommend starting off with at least 20 committed folks on the guest list.

 

  • Spots should be allocated on a first-come, first-served basis, with the first ten people to respond, gaining entry. In NY I tend to treat the first six hours as one slug of time, since not everyone has access to their email all the time.

 

  • It should be made clear that people should only RSVP if they know they can make it, otherwise they may be taking a spot away from someone else. While it is sometimes hard to commit to something so far in advance (the NYC RCC invitation typically goes out the day after the last RCC, requiring commitment almost a month in advance).

 

  • Given their recognized passion of wine, the guest list can include industry representatives (be it importers, distributers, winery owners, winemakers and/or retailers) but they are invited on a personal basis and solely in their capacity as wine lovers. No marketing or pushing of their wines.  As tempting as it may be to obtain freebies by “showcasing” a winery or importers portfolio, such a potential commercialization of the RCC goes against its very foundation.

The Wines

  • Each attendee is required to bring one bottle of kosher wine as follows:
    • It must be from the 2008 vintage or earlier (see below with respect to Shmitah).
    • It is highly preferable that the wine not be readily available at a retailer (going out and buying a wine defeats the purpose on which the concept of RCC was founded).
    • It should not be significantly past its prime. Questionable bottles in that regard are OK (e. bottles that are likely past their prime) but a backup bottle is required as well in such a case.  The backup bottle will only be opened if the initial bottle is bad (otherwise it isn’t fair to others).

 

  • When responding to an RCC invite, in addition to confirming ones attendance, each potential participant should let the host know which wine he would like to bring (or even better, provide a selection of potential wines for the host to choose from). Doing this helps the host make sure that the general quality level is consistent across the ten wines that will be enjoyed (which ensures that nobody feels like a “sucker” for bringing too good a bottle).  It also enables the host to create mini vertical tastings or interesting side by side comparisons (such as in the inaugural event I mentioned above, where we were able to taste two subsequent vintages of the Château Pontet-Canet).

The Hosting (and the Food)

  • The very basic items that are required from are a host are as follows:
    • A table with sufficient seating for all participants (J)
    • Wine Glasses (I try to have at least two “regular” wine glasses for each person, plus dessert and sparkling wine glasses when such wines are being served).
    • A corkscrew. Having a number of corkscrews and at least one decanter on hand is a good idea.  Other aerating and/or pouring devices can also be helpful.
    • Water and a water glass.
    • A spittoon or other vessel into which wine that people don’t want to drink (after all, consuming a whole bottle of wine per person can be a little much).
    • When I host, I try to provide a bottle of sparkling wine to start which always helps set the tone for the festive occasion besides awakening the palate for the plethora of spectacular wine that is sure to follow.
    • Light Fare. Initially I had planned the food part of the RCC to be simple and solely supportive of the main event –the wine.  That said, the better the food is the more enjoyable the evening and it is in the hands of each host to decide the level of culinary exuberance that will be showcased at any given RCC.  At the very least, there should be some protein and carbohydrates in “soak up” some of the alcohol being consumed.

 

Note on Shmitah Wines

(i) Shmitah wines are perfectly fine to bring to RCC (both 2001 and 2008 were incredible vintage years in Israel). If you have comments or questions about what to do in connection with Shmitah wine, please consult your local Rabbi for guidance.

(ii) As many 2008 wines are “Otzer Beit Din” and shouldn’t be discarded (or spat), I always try to limit the total number of Shmitah wines at any given RCC to three or less.

Hajdu (Brobdingnagian)

Brobdingnagian

#293 – June 1, 2015 (Evolution of a Giant / Tales of Brobdingnag)

It was nearly five years ago when I first wrote a brief newsletter about Jonathan Hajdu and his first two wines, getting the word out on his incredible new winery – then known as Brobdingnagian.  The talent was apparent with the first two releases – a Grenache and Syrah, both from the 2007 vintage and he has continued to improve and impress with almost every wine and subsequent vintage.  During the five years since that time I have become friendly with Jonathan, tasted every wine he has made and enjoyed nearly every one of them as well.  After recently taking delivery of his latest releases, I decided that five years was long enough and the Hajdu wines deserved some prime real estate on these pages, so enjoy.  Given that this is the first full-blown article about such a terrific winery, the newsletter is [much] longer than usual as I have attempted to provide a comprehensive picture of the winery and included tasting notes for nearly every wine Hajdu he ever made.  As a teaser, and because the newsletter was way too long anyways, I left out my notes for the2013 Eaglepoint Grenache, 2012 Proprietary Red and the monumental but not [yet] repeated 2010 Oak Knoll Petit Verdot.

Jonathan Hajdu is the owner, founder and winemaker of Hajdu Wines, formerly known as Brobdingnagian (which is commonly misspelled as Brobdignagian) who also has a full-time day job as the associate winemaker at Covenant Winery, where he assists Jeff Morgan in creating some of Napa Valley’s finest kosher wines.  Originally from New York’s Long Island, Jonathan came into the wonderful world of wine via the cosmopolitan oasis of Albany where he studied archeology at the University of Albany.  As could be expected, studying long lost relics was far less interesting than the fermented nectar of grapes; and while the area is not known for its terroir or replete with vineyards, it did have its fair share of wine bars.  After some serious time spent exploring the oenophilic delights on offer, the young student decided that a life of dusty bones and buildings wasn’t going to cut it for him.  The wine bars were just the push needed to start him down the path all of us kosher oenophiles are exceedingly grateful he took.

After a year in Israel spent at the Or Samaech yeshiva, Jonathan headed [far] south to Australia, where he spent a year studying viticulture at Melbourne’s Swinburne University followed with six months of practical viticulture as a vineyard worker at Yering Station Vineyards, located in the acclaimed Yarra Valley.  After six months under the Yarra Valley sun, Jonathan packed up his bags once again and headed stateside looking to continue working in wine, an area he loved and had come to understand he was destined for.  He spent some time interning for Punchdown Cellars (then known as Copain Custom Crush), a crush facility that provided winemaking services to boutique wineries and independent winemakers without facilities they could call their own, before landing at Herzog Wine cellars and having his first encounter with the production of kosher wine.

Similar to Carmel Winery for Israeli winemaking talent, Herzog has been the launching pad for many kosher winemaking endeavors and Jonathan not only continued his training at Herzog, gaining valuable experience, he also met some of the folks who would come to play important roles in the molding of this young man’s career.  The cast of characters included the Gabriel and Shimon Weiss (the “Weiss Brothers” of Shirah Winery) and most importantly Jeff Morgan for whom Jonathan ultimately ended up working with at Covenant Winery.  Before ending up in their current and spanking new Berkley facility, Jeff made his first five vintages of Covenant at Herzog (2003-2007) followed by two that were “custom crushed” at Raymond Winery in St. Helena (2008-2009) and four more (2010-2013) leasing space from Falcor Wines in Napa Valley.  Even before joining Covenant full time in 2008, fate ensure that Jonathan was involved, one-way or another, in every Covenant vintage since the winery’s inception.

It was also during those three fateful years working at Herzog that Jonathan met his future California garagiste brethren – Gabe and Shimon Weiss, with whom (together with Yonni Freedman) he made his first barrel of wine.  Harvesting half a ton of Syrah grapes from the Alamo Creek Vineyard in San Luis Obispo County which was offered to them for free (as long as they would do the picking), they fermented a barrel in their garage and created what was apparently a delicious wine.  The resulting 2005 Syrah is considered the first wine of Shirah Winery (although the first official launch wine of Shirah was the acclaimed 2009 Power to the People, there were three prior wines, including this one) and was certainly the motivation and muse for launching the winemaking entrepreneurship that yielded both the Hajdu and Shirah wineries.  As a total aside, this wine is also the only commercially distributed wine any of the three has made (that I know of) which I wasn’t privileged to taste.

After three years at Herzog, Jonathan went back to Israel for six months (this time for wine) which he spent working at – you guessed it – Carmel Winery (where it sometimes seems that every single winemaker is Israel got their start, in one way or another).  Working under head winemaker Lior Lacser (the only winemaker of a substantial Israeli winery I haven’t met), he gained additional kosher winemaking experience that was destined to serve him well in the coming years.  After returning to California (by way of New York), Jonathan finally found his calling and made his first two official wines under the now cult Brobdingnagian label – a varietal Syrah and Grenache.  Named for the giants discovered by Lemuel Gulliver during his mythical travels though the world of Jonathan Swift, these initial wines were the epitome of blockbusters – rich, bold and scrumptious, easily living up to their colossal namesakes.  They also clocked in at an insane 16.3% AbV while showcasing what would come to be one of Jonathan’s winemaking characteristics – great structured, impeccable balance and aging ability, all despite the highly extracted fruit and elevated alcohol levels.  Sourced from the Santa Barbera area, the wines were reviewed in newsletter #148 and recent tastings of both wines show they are still alive and kicking but should probably be enjoyed within the next 12 months (see detailed notes below).

While California’s three larger kosher wineries (along with the fan favorite Four Gates) focus on the classic Bordeaux varietals (i.e. Cabernet Sauvignon, Merlot, Cabernet Franc and Chardonnay), Hajdu (along with Shirah) has placed his fate with the Rhone, considering (along with the Rhone Rangers) its varietals to be better suited to California’s terroir.  With a focus on some of the more prominent Rhone grapes like Syrah, Grenache, Petite Sirah and Carignan (for the sticklers out there, Petite Sirah isn’t really a Rhone grape but is was adopted by Rhone Rangers the as one of their own due to its extensive planting alongside many Rhone varietals in California), he has created a plethora of incredible wines for anyone doubting what California Wines can look like outside of Napa Valley Cabernet Sauvignon.  Obviously this is a generalization as the first group of wineries does amazing things with Syrah and Roussanne and Jonathan utilizes plenty of non-Rhone grapes like Cabernet Franc and Pinot Noir.  That said – the pattern is pretty clear and provides the kosher wine oenophile with a mélange of terrific options from an ever-growing number of top tier winemaking talent up and down the western coast of the United States.

Following up on his inaugural success, the 2008 vintage yielded another new and exciting wine and the first “second” label for Brobdingnagian – Besomim.  Named for the aromatic spices used to fortify the body as the special “extra soul” departs at the end of Sabbath, this was an incredible field blend of Zinfandel, Grenache, Syrah and Petite Syrah that Jonathan made together with Napa’s Chabad Rabbi Tenenbaum (who spearheads the Cuvee Chabad wine project with assistance from both Jonathan and Jeff).  2008 was also the year that Jonathan signed on as associate winemaker at Covenant while continuing to make Brobdingnagian.  The 2009 vintage yielded only two wines – another Besomim field blend and a varietal Syrah but the 2010 vintage was where Jonathan really kicked it up a notch and took Brobdingnagian to a whole new level, both qualitatively and quantitatively.  For 2010 there were five wines in the portfolio including another Besomim blend, and four Brobdingnagian wines – a repeat of the inaugural 2007 Grenache and Syrah wines along with a worthy addition to the “Brob” Club – a gigantic Petite Sirah and an amazing but not repeated Petit Verdot.  2011 brought with it a new label “Makom” under which a varietal Carignan was produced (but not repeated, instead housing a Pinot Noir and Grenache Blanc in future years) and renaming the winery “Hajdu” while relegating “Brobdingnagian” to a label/series.  Coinciding with Jonathan’s nearly imperceptible shift away from the gigantic wines to slightly more elegance and power, Brobdingnagian was also dropped as a label/series (although Brob fans should stay tuned for a new delightful wine that will “resurrect” the Brobdingnagian label).  Other changes included creating the multitude of animal labels for the different wines (instead of the cycling elephant that graced all the 2010 and earlier wines), all designed by his talented wife with many showing whimsical renditions of various animals in different poses (most appropriately, a humongous elephant riding a tiny bicycle represents the huge yet balanced Petite Sirah).  In addition to the cycling elephant, the portfolio includes an impossibly cool turtle, a yo-yoing ostrich, the tap dancing whale (all representing the massive wines with the impeccable balance and finesse) and others.  2011 was also the first deviation from the Rhone with the introduction of a Bordeaux-bend “Proprietary Red” (whose current release is the 2012 vintage).  2012 saw additional new wines introduced which included a Grenache Blanc and Pinot Noir, both housed in under the Makom label and a varietal Cabernet Franc under the “Hajdu” label.  2013 heralded the release of a terrific Rosé as well.  With new and additional surprises coming, Jonathan promises to continue to innovate and excite for years to come.  He also does private barrels for an extremely limited and highly curated group of private clients who something extra beyond what is available to the general public.

Staring with 900 bottles for the 2007 vintage before dropping to 300 bottles in 2008 and 600 in 2009, Hajdu has been slowly growing his production since 2010 when he released 3,000 bottles.  Production levels for 2011 was approximately 5,000 bottles (plus a select number of private barrels) and he doubled his production for the 2012 vintage (little under 10,000 bottles) and maintained those levels through 2013 and 2014 (in addition to continuing to service the limited number of private barrels).  Making some sense of the names and labels took some time, but they currently comprise the Proprietary Red (his flagship), Hajdu (f/k/a “Brobdingnagian”) (which includes Grenache, Syrah and Petite Sirah, Rosé and the previously produced Cabernet Franc and Petit Verdot), Makom (Grenache Blanc and Pinot Noir and the previously produced Carignan), and the Besomim blend.  Now fully established as a winemaker in his own right with an eponymously named winery, Jonathan continues to fulfill his day job as Covenant’s associate winemaker while continuing to develop the Hajdu wines.  Presumably he doesn’t sleep much since he also juggles a very full home life with two little children.  As I have mentioned on these pages numerous times, I consider him to be highly talented, an all-around great guy and the producer of many terrific wines, most of which have been reviewed here over the years.

In addition to his newest releases, the notes below include many of his prior wines that I recently had the opportunity to enjoy.  Unfortunately his wines are only available in the US and only directly from the winery but I highly recommend that my Israeli-based readers do what they can to lay their hands on some of his wines – you will be thanking me for years to come.  The wines are available directly from Jonathan (jonathan [at] hajduwines [dot] com) and while his response time can sometimes leave much to be desired, it will be time well spent to persevere until a shipment of your own Hajdu wines is on its way to you.

Hajdu, Makom, Grenache Blanc, 2014:  After firmly establishing himself at the marquee (and only) producer of kosher Grenache Blanc, Jonathan once again provides us with the essential summer quaffer that come packing substantially more punch than your typical Rosé or crisp Sauvignon Blanc.  Fermented in the barrel, once again the wine provides a huge boost of rich tropical fruit, deep and layered minerals and mouthwatering citrus.  A medium bodied palate is loaded with great acid, mouth-watering citrus and plenty of slightly viscous and lively fruit that provides a delicious way to spend any summer afternoon.  Load up, then buy more and enjoy over the next six months.

Hajdu, Makom, Grenache Blanc, 2013: Following on the prior year’s success while sourcing the wines from a new vineyard, the wine managed to live up to expectations, and then some.  With plenty of acidity combining with ripe and luscious fruit, this wine provides that rare combination that is immensely pleasing and highly compatible with a tremendous array of foods.  The wine opens with a rich nose of tart apple, cantaloupe, papaya, white peaches, pineapple, and minerals and citrus rounding out the package.  The medium bodied palate is loaded with much of the same fruit and plenty of mouthwatering citrus keeping things lively and fresh.  While still drinking beautifully, it’s time to drink up and order the 2014 version of this wine.

Hajdu, Makom, Grenache Blanc, 2012:  The 2012 vintage was the inaugural vintage and showcased to anyone willing to listen why Jonathan needs to be on anyone’s shortlist for one of the top winemakers in the kosher wine world.  A delightful treat from an uncommon grape varietal, I went through my stash of this wine so quickly I barely knew what hit me.  With plenty of acidity combining with ripe and luscious fruit and aromatic floral notes, this wine provides that rare combination that is immensely pleasing and highly compatible with a tremendous array of foods.  With a delightful nose of tropical fruits including melons, papaya and a hint of pineapple combined with delightful notes of citrus, slate mineral notes and the medium bodied palate is loaded with terrific acidity that keeps the fruit from overwhelming and creates a really substantial wine that manages to be fun as well and doesn’t really require much thought to enjoy.  The palate has more tropical fruit accompanied by a slightly herbal note, plenty of refreshing citrus notes and a creamy lusciousness that tantalizes until the slightly bitter finish reminds you that this is a wine with substance.  While the more than 14% AbV was probably too much for some, my response was bah humbug – drink and enjoy!  At this point, the wine has lost much of its freshness and uniqueness and should be consumed now, before moving onto Jonathan’s newest release from the 2014 vintage.

Hajdu, Hajdu, Rosé, Grenache, 2014:  In a change from the very impressive 2013 version, this year’s Rosé utilized 100% Grenache from Clements Hills (instead of last year’s Pinot Gris) but Jonathan managed to maintain the unique (and pleasurable) characteristic of underlying salinity along with rich fruit, minerals, plenty of ripe summer fruits and orange citrus notes along with a tantalizing note of the foaming sea.  With gobs of acidity keeping the minerals and fruit honest, this is a refreshing wine that goes far beyond your typical summer quaffer to provide a substantial boost to anyone’s summer drinking to whole new level.  While the wine will not fulfill everyone’s expectations of a summer quaffing Rosé, it will certainly make any self-respecting oenophile stand up and take notice.  Go for it!

Hajdu, Hajdu, Rosé, Pinot Gris, 2013: As would be expected from the mastermind behind Brobdingnagian, this wine is big, special, interesting and certainly different from most Rosés you have experienced.  Made from 100% Pinot Gris sourced from the Carneros AVA and harvested specially to make this wine (i.e. not Saignée), the wine is a tremendous match to many different foods.  I enjoyed this wine with two heavily creative fish dishes to which it was near-perfectly matched despite its relatively heavy 14.5% AbV.  Give this wine a few minutes in your glass or decanter and the slightly sweet red summer fruit dissipates leaving behind a wondrous salinity and balancing acidic bite that is amazing with a nose of minerals, citrus, warm spices and sweet and freshly picked strawberries which continues on the medium to full-bodied palate where the salinity continues to support luscious summer fruit on an acid-packed palate loaded with spice, tart red fruit and with tons of character.  As with nearly everything Jonathan produces, this wine is to be reckoned with and still has 12-18 months of enjoyable drinking ahead of it.

Hajdu, Makom, Pinot Noir, 2013:  The second California Pinot Noir Jonathan produced and somehow I found myself yearning for the inaugural 2012 release reviewed below.  It wasn’t so much as anything was particularly lacking with the 2013 release, but rather there doesn’t seem to be anything special about it – “special” being that succinctly described characteristic I am not expecting form every single wine released by Hajdu.  A medium bodied wine with a nose redolent of slightly tart red fruit and hints of rich chocolate and cedar, the wine lacked the bright fruitiness and underlying sexiness I was looking for.  Very well made with great balance between the fruit, acid and subtle oak, the wine is well made and doesn’t have anything wrong going for it – it simply wasn’t for me but others will likely find it as enjoyable as everything else labeled by the House of Hajdu. Drink now or over the next 18 months or so.

Hajdu, Makom, Pinot Noir, 2012:  A new addition to the Makom label and generally speaking, a new (non-Rhone) varietal, the wine is 100% Sonoma Pinot Noir.  A classic California Pinot Noir (if there really is such a thing), with a lovely nose of ever-so-slightly-sweet cherries, currants, a hint of summer, freshly turned earth and notes of slate minerals that keep things interesting well into the medium bodied palate that is replete with plenty more rich fruit, great minerals and earthy overtones accompanied by warm spices and a California hint of dark chocolate, toffee brittle and a touch of smoky oak.  Drink now or over the next 12 months.

Hajdu, Makom, Carignan, 2011:  For now, the 2011 was the only Carignan that Jonathan produced and while a very enjoyable wine, I didn’t find it up to his usually standards.  The wine is the result of [what ended up being a one-time] collaboration between Hajdu and the acclaimed chef of Epic Bites – Yitzchak Bernstein (now resident at New York’s Pomegranate and the genius behind the 25-course dinner to benefit Leket Israel).  A nice nose of black fruit, tart cranberry and raspberry, bramble and a delightful earthiness (reminiscent of wet forest floor), subtle feminine floral notes, a hint of smoke and anise along with some toasty oak.  A medium bodied palate has plenty of tannin and crushed berries, cassis, more pleasing dirt and minerals, accompanied by burnt espresso notes, some baker’s chocolate and spicy wood. The wine is drinking nicely right now and should be opened and enjoyed over the next 12 months or so.

Hajdu, Besomim, 2012:  Maintaining the characteristic aromatics we have come to expect from Hajdu’s “Besomim” blend, this year’s blend of Eaglepoint Grenache and Syrah is fleshed out with some Lake County Syrah and a touch of Petite Sirah which gives the wine some necessary backbone to carry the aromatics through to the medium-bodied palate.  As is Hajdu’s wont, the wine present with a highly aromatic nose redolent of spices and accompanied by gobs of rich and primarily black forest fruits with a tinge of tart red fruit as well.  Near sweet on both the nose and palate, the mélange of warm spices includes slightly spicy cloves, nutmeg and hints of other warm spices, along with anise, a hint of blueberries, dark baker’s chocolate and a slightly bitter green-tinged herbaceousness that runs through the wine with a bitter streak that makes you sit up and notice while also providing good contra to the fruit.  Drink now through 2017, maybe longer.

Hajdu, Besomim, n.v:  In lieu of a 2011 vintage for Besomim, Jonathan served up a blend of different wines from his 2011 and 2012 vintages that ended up working very nicely together.  More or less evenly between 2011 Lodi Zinfandel and 2012 Eaglepoint Grenache with some 2012 Eaglepoint Syrah thrown in for good measure.  With plenty of warm spices leading the charge on the nose, closely followed by plenty of rich and ripe red fruit tinged with blue notes, smoky oak, blooming fields of summer flowers, and some white pepper.  I found myself smelling this in the glass for nearly 20 minutes before taking a sip with trepidation fearing a let-down after the aromatics.  While the nose was heavenly and the medium-bodied palate had sufficient character to follow through on the nose, I thought that a bit more tannin would have gone a long way to taming the very ripe fruit and filling out a slightly less than fulfilling mid-palate.  With plenty if plush red fruit on the palate being joined with more than its fair share of boysenberry and blueberry, rich chocolate, cigar-box tobacco notes and plenty of warm brown spices envelope your palate with sweet sense of wellbeing.  A medium finish rounds out the wine that should be consumed over the next 18-24 months.

Hajdu, Besomim, 2010:  2010 brought with it two changes to Hajdu’s Besomim blend.  Having “lost” the original vineyard from which the 2008 and 2009 vintages were sourced, 2010 is the first Besomim that wasn’t a field blend but rather a blend of three of the four varietals he sourced from Eaglepoint Ranch and which were also bottled separately as single varietal wines; namely Syrah, Grenache and Petite Sirah.  Landing squarely within Hajdu’s comfort zone of taking near sweet fruit almost to the edge while wrapped in a cloak of respectable balance and impeccable structure, the highly expressive nose is redolent of ripe and mostly red fruit that threatens to turn jammy at any moment but never actually loses control.  The rich fruit is accompanied on the nose with earthy minerals, the warm spices we have learned are the mainstay behind the Besomim wines, some roasted herbal notes, some baking vanilla and a hint of fig.  The medium bodied palate wants to have a serious relationship with you and offers up rich and dark notes of more ripe fruit, slightly bitter green olive notes which temper the fruit ever-so-slightly, cigar-box cedar, roasted espresso, a hint of blue and plenty of good dark chocolate notes all of which lead into a lingering finish that pleases with more chocolate and spice.

Hajdu, Besomim, Cuvee Chabad, 2009:  The second (and last) year in which this unique field blend was used for Besomim, once again comprised of Zinfandel, Grenache, Syrah and Petite Sirah which were all harvested and co-fermented together, yielding an intensely aromatic wine with a mélange of warm spices dominating the nose. With plenty of cinnamon, nutmeg and cloves on both the nose and palate, the rich dark fruit includes plums, cherries and cassis which are overlaid with a tinge of minty dark chocolate, roasted coffee, tobacco leaf and more spices.  A lingering finish leaves you with a sense of Besomim that is reminiscent of your Saturday night goodbye to Shabbat – most likely the feeling Jonathan was going for when he bestowed the Besomim moniker on this wine.

Hajdu, Besomim, Cuvee Chabad, 2008:  Named after the aromatic spices used to fortify us for the coming work week as we wish Shabbat farewell, the “concept behind this wine is to provide highly aromatic wines that heavenly leans towards spices.  Similar to the 2009 vintage, this is a co-fermented field blend of Zinfandel, Grenache, Syrah and Petite Syrah which was harvested from a small, half-acre plot in Napa along with Napa Valley’s Chabad shaliach – Rabbi Elchonan Tenenbaum and was a collaborative effort between the Rabbi and Jonathan.  Rabbi Tenenbaum now produces his own Cuvee Chabad from Lodi Zinfandel and is assisted by Jeff and Jonathan with the proceeds going to support the Chabad programs he runs in Napa Valley.  This wine lived up to its name and served up an incredible nose stuffed with blackberries, cassis, cherries, lavender with hints of minty dark chocolate and loads of warm spices including cinnamon, cloves and nutmeg.  The full-bodied palate contained much of the same with a robust tannic structure, supported by the black fruit, cedar wood, freshly cracked black pepper, eucalyptus, some roasted crushed herbs and tobacco leaf.  A long, lingering and spice-infused finish with more minty chocolate rounded out this delightful wine.  The wine is literally on its last legs with the last few bottles I have tasted showing some severe bottle variation.  I highly recommend finishing up any remaining bottles you may have.

Hajdu, Hajdu, Cabernet Franc, 2012:  Given my historical love for the varietal (which has waned in recent years as the high-end options have dwindled), I was pretty excited when Jonathan decided to add a Cabernet Franc to his repertoire and included it on the menu for my 25-course dinner benefitting Leket Israel.  While not quite an Israeli Cabernet Franc, it certainly isn’t what one would expect from the Loire Valley either but rather sets the stage for “California Cabernet Franc” (which, like the Pinot Noir reviewed above, it pretty much a made up concept).  Sourced from a vineyard located in the Carneros AVA, the wine has near-sweet bell pepper on the nose along with wet forest floor and more vegetative notes that please; the nose and palate are both loaded with rich black fruit that is tinged with hints of tart red fruit, rose hips, some nice spiciness, slightly smoky oak, steeped black tea, freshly-cured tobacco leaf, strong espresso, some nice chocolaty notes and cedar.  With a lingering finish that pleases while offering up a hint of green-tinted bitterness, this was a delightful fine.

Hajdu, Hajdu, Grenache, Eaglepoint Ranch, 2013:  Confirming what was evidenced by the 2012 Grenache (see the note below); Jonathan has left the Brobdingnagian-styled Grenache of 2007 behind (at least for now) and it allowing his Grenache to.  Similar to the La Flor from Capcanes, this is a beautiful wine that allows the true feminine of the Grenache to shine through.  Rich and layered, the wine slowly reveals itself in the glass, providing a sensual and charming journey through layers of deep red fruit, rich earth, minerals, spicy oak and warm spices.  The full bodied palate is replete with ripe cherries, plums, a hint of blueberries, lavender, plenty more warm spices, subtle toasty oak, freshly cracked black pepper, more earthy mineral notes and a hint of asphalt; all backed up by gripping tannins that are still integrating and an underlying sensuality that is delightful.  I’d give the wine six months to relax a bit (or at least some decanting time) before opening and enjoying its continuing development through 2019, maybe longer.

Hajdu, Hajdu, Grenache, Eaglepoint Ranch, 2012:  Anyone who opened this bottle and expected the wine to resemble our earlier encounters with Jonathan’s winemaking skills (namely the massive 16.3% and 14.5% Brobdingnagian Grenache wines from 2007 and 2010, both reviewed below) was going to be disappointed.  Not because the wine isn’t a lovely expression of the Grenache grape, but rather because the only resemblance this wine has to that initial beast is the name of the varietal, the winemaker and the awesome label gracing the bottle.  The wine shows plenty of mostly red fruit on both the nose and palate including cherries, plums, crushed berries and a hint of dried cranberries, along with earthy minerals, hints of boysenberries, slightly spicy oak, cloves and nutmeg.  Different from many of Hajdu’s wines, in this year’s version the fruit is slightly less than dominant, allowing more complexity and mineral and spice flavors to carry much of the flavor palate, yielding a delicious and intriguing wine whose development I am eager to follow.

Hajdu, Hajdu, Grenache, Eaglepoint Ranch, 2011:  No longer the massive representation of Grenache as his prior two wines, the 2011 vintage provides a bridge to the feminine manifestation of the 2012 vintage while standing on its own two feet (albeit I found this wine to be the weakest of the bunch and 2011 in general to be Jonathan’s worst vintage, while still being happy to drink the vast majority of his production).  With plenty of black fruit on the nose and palate, the rich cherry notes dominate in front of the cassis, plums, summer flowers, earthy minerals and hints of blueberries.  The medium to full-bodied palate has plenty more rich fruit with tart raspberries and dried cranberries dominating the cherry, plum and cassis alongside plenty flinty minerals, slightly smoky oak and rich chocolate, all back up by nicely integrating tannins that hold everything together nicely and will continue to evolve nicely over the next few years.  Drinking nicely now, I’d try to enjoy your bottles over the next two years or so.

Hajdu, Brobdignagian, Grenache, Eaglepoint Ranch, 2010:  Following on the massive success of his initial varietal Grenache from three years prior, Jonathan serves up another Brobdingnagian wine (albeit at “only” 14.5% alcohol) sourced from a different vineyard which would come to be one of his primary sources of quality fruit from this vintage onwards – Eaglepoint Ranch in Mendocino county.  Similarly to the Petite Sirah reviewed below, the wine initially needed a significant amount of aerating before it yielded much in the way of complexity or character (although not nearly as much as the Petite Sirah required (and still requires)).  Showcasing plenty of warm spices on the nose to accompany the abundant black fruit, the wine slowly yielded more roasted herbs, smoked meat, earthy mineral and anise than one would have initially thought.  Wrapped in a core of smoky oak and enhanced by cracked black pepper, the nose leads into a full-bodied palate with plenty of gripping tannins that are now pretty well integrated, with ripe black cherries and other black fruit is overlaid with the spiciness and some toasty oak.  An underlying tone of minty dark chocolate and more herbal notes continues throughout the entire palate culminating in a lingering finish that made it hard to stop pouring this wine.  Drinking very nicely right now, the wine will continue to develop through 2019.

Hajdu, Brobdingnagian, Grenache, Santa Barbara County, 2007:  Making the giants of Brobdingnag proud, this is a gigantic and full-bodied wine with over 16% alcohol and plenty of wood, tannins and robust fruit. The hide-and-seek gambit of a giant rarely works and it is no different with this monster wine.  No longer needing the hours of air to express itself, the wine was drinkable immediately on first pour and was open, ready and willing to anyone who came to partake in its not insubstantial charms.  The expressive nose is packed with rich and ripe blackberries, tangy raspberries, some green notes, plenty of rich milk chocolate, some vanilla, spices and smoky wood that is finely integrated with the rich fruit (and no longer provides the substantial backing to the ripe fruit it used to).  The full bodied palate still packs a punch with super rich, near sweet red fruit tinged with blueberries, along with cedar wood, more toasty oak, rich and wet earthy forest floor and more warm spices.  The super long finish is still there but now carries with it more roasted herbs, sweet red fruit and spices than in prior years.  After giving years of pleasure, the wine is at the end of its life and should be consumed within the next six months (be prepared for some bottle variation at this point based on storage conditions).  As I predicted years ago, the life of this wine was shorter than one would have thought based on its initial release, something that the 16.3% AbV certainly contributed to.

Hajdu, Hajdu, Syrah, Eaglepoint Ranch, 2012:  With the 2011 vintage only now coming online and being [just] ready to party, it shouldn’t surprise you that the 2012 is still slumbering and you awaken the giant at your own risk.  A wine that would easily be labeled under the Brobdingnagian label due to its massive scale and in your face fruit, Jonathan’s control is highly noticeable with this wine, more so than in any other of his Syrah wines (other than perhaps the near-mythical 2007).  With rich red forest fruit and hints of boysenberries, blueberries and rich cassis, the slightly toasty oak and searing tannins are in great balance with the gobs of rich and highly extracted fruit.  With plenty of spicy notes, rich dark chocolate, some earthy minerals, tar and roasted meat this is one for the ages and one to cellar and enjoy as it continues to develop and reveal its coming layers of charm and complexity over the next few years.  Don’t open for a year and then enjoy through 2022.

Hajdu, Hajdu, Syrah, Eaglepoint Ranch, 2011:  Despite dropping the Brobdingnagian name, the wine continues to showcase the slightly tamed power and richness of prior vintages with the more typical Syrah notes feeling more present than in prior years.  A deep, dark, dense and brooding wine backed by Hajdu’s characteristic taming hand while allowing the monstrosity of the wine to present itself in all of its monumental glory.  With tons of red extracted fruit on both the nose and palate, the wine showcases plenty of roasted meat, smoky oak, rich tar, and tinged with black licorice, warm spices, saddle leather and freshly cracked black pepper.  A long and lingering finish with smoky oak, more dense black fruit and a lovely spiciness rounds out this delicious treat.

Hajdu, Brobdignagian, Syrah, Eaglepoint Ranch, 2010:  Living up to its Brobdingnagian name, the wine has been a blockbuster for many years and is only now starting to show signs of being willing to settle down into anything resembling approachability while still needing some aerating time to showcase its substantial charms, power, grace and finesse (yes, these all coexist in this wine).  With loads of rich, dark and ripe red fruit, blueberries, tinges of near-sweet orange citrus notes, tart cranberries, roasted meat, lead shavings and freshly paved earth, this is a delicious and powerful Syrah (with a “normal” AbV of 14.5%) that is “wrapped” in robust tannins and gobs of acidity that together will continue to help this wine develop through 2017 (but it is über-enjoyable right now with no real reason to wait any longer).

Hajdu, Brobdignagian, Syrah, Rodgers Creek, 2009:  This wine was somewhat of an anomaly as, besides the Besomim, this was the only wine Jonathan made in 2009.  While many factors were likely at play here, one of them surely involved the lack of free time as Jonathan adjusted to his new(ish) position at Covenant (where he had recently assumed assistant winemaking duties) and Covenant (and his) new working space in Napa Valley where they had recently moved, leaving the shtetal of the Herzog Winery far behind in Oxnard and settling in Napa Valley.  Lighter in both heft and style than the 2007 version, overall the wine presented very differently from both the monster Brob that came before it and the ones that followed despite maintaining the near-impossible balanced 16% AbV, the wine has candied cherries, ripe fig, red plums and a bit of blue fruit on both the nose and palate with grilled meat, spicy oak, anise, cedar and still robust tannins wrapping the wine in an envelope of structure that bodes well for the wines continued growth over the next 12-18 months.

Hajdu, Brobdingnagian, Syrah, Santa Barbera, 2007:  On release, the concept of the “Hajdu Winery” didn’t exist and the winery was named “Brobdingnagian”.  For clarity purposes, I have labeled the wine Hajdu under a Brobdingnagian label.  As with its inaugural sibling recently tasted and reviewed below, the wine has reached the end of the road and it is time to polish off any bottles you may have left.  We enjoyed this bottle last November at an RCC and I recently opened one of my last bottles in order to provide an updated picture of where the wine currently stands.  While the previously robust tannins still provide some coverage to the rich, mostly red fruit, the burden has now gotten to be slightly more than the body can handle and there is a distinct softening on both the nose and palate, likely driven to some extent by the massive 16% alcohol and gobs of rich fruit that made this wine so delectable on release.  Made at Oreana Winery in downtown Santa Barbera (before Jonathan moved north for his full-time position at Covenant) with grapes sourced from Paredon Vineyards.  Jonathan’s careful hand provided great balance and created a structure where everything worked, but it is now time for this giant to be laid to rest.  With rich and sweet red fruit on both the gargantuan nose and palate accompanied by toasty wood that is completely integrated at this point, there are notes of well-worn saddle leather and cloves, hints of freshly paved asphalt and slate minerals providing a sophisticated complexity to this wine.  Hints of blue notes are abundant throughout, along with some freshly-cured tobacco leaf and high-quality dark chocolate that both linger on the long and extracted palate.  Still a massive wine but one that has started to settle down in preparation for retirement.  Drink now or over the next six months.

Hajdu, Hajdu, Petite Sirah, Eaglepoint Ranch, 2013:  Ever since my initial taste of the inaugural 2010 vintage, his Petite Sirah has long been among my favorite Hajdu wines, with the relatively new Proprietary Red and Grenache Blanc also being on that list (alongside the delightfully saline Rosé), and the 2013 doesn’t give me any reason to change that.  Showcasing the characteristic power and elegance we have come to expect from Jonathan’s “Taming of the Blue”, the wine is rich and bold with layers of ripe black and blue fruit and toasty (and slightly smoky) oak that is in good balance along with lovely floral notes, slightly bitter minerals, bramble, cedar, black pepper and some leather; all wrapped in searing tannins that need plenty of time to integrate and lean to play nicely with the rest of the components.  The wine is not yet ready to drink and needs 9-12 months before it should be opened (even at which point it will still need plenty of air before it can be convinced to yield anything of interest) after which it should cellar comfortably through 2022, maybe longer.

Hajdu, Hajdu, Petite Sirah, Eaglepoint Ranch, 2012:  While many of Jonathan’s wines have settled in and reflect a higher degree of subtlety and elegance than in the past, this is one wine that brings to mind the Brobdingnagian wines of 2007 – huge, powerful and a force to be reckoned with . The wine somehow manages to maintain Hajdu’s characteristic balance and structure together with a hard to discern but definitely present elegance.  This wine represents all that is varietaly true and characteristically expected of petite Sirah – big, black and blue, in your face and sublimely delicious while presenting as highly extracted and loaded with tannic structure that bodes well for the longevity and future development of the wine.  Rich notes of blackberry, black cherries, ripe blueberries, slightly smoky oak, bramble and plenty of spiciness are all present on this deep and richly extracted wine.  Along with the fruit and word, the wine opens up to reveal layers of tobacco, near-sweet and slightly toasted oak, spicy cedar, well-worn saddle leather and near-sweet tannins.  An extended finish that lingers rounds out this beauty.  Run to Jonathan and beg for some – it will be worth your while.  Give it the respect it deserves and don’t open it for 12-18 months, after which is can and should be enjoyed through 2022.

Hajdu, Brobdignagian, Petite Sirah, Eaglepoint Ranch, 2010:  Likely my favorite of the great crop of 2010 wines under the Brobdingnagian label (2010 was the last year the “winery” was named Brobdingnagian); this is a true giant of a wine and one that needs near-obscene levels of decanting before it shows it truly beautiful inner-self.  An explosive nose of black fruit with some blueberry nuances accompanying the rich blackberries and currants also shows plenty of smoky oak, a rich spiciness, smoked meat and a hint of herbaceousness.  An extremely full bodied and heavily extracted palate with robust tannins that are finally starting (but really just starting) to settle down, is loaded with black fruits driven by opulent black cherries, , kirsch, plenty of spicy wood and hints of chocolate leading into a huge finish that lingers with more fruit, chocolate and some herbaceousness.  Drinking amazingly well now (especially after 8(!) hours of decanting), the wine should continue to develop through 2018 and likely longer (Petite Sirah is a tricky animal, especially at these alcohol and extraction levels which makes it harder than usual to predict drinking windows).

Hajdu, Hajdu, Proprietary Red Wine, 2011:  Giving the wine an air of mystery to go along with its utter deliciousness, the varietals and percentages are not officially disclosed with the only information being the Howell Mountain source for the grapes.  While I still consider the Petite Sirah to be Jonathan’s flagship wine, the Proprietary Red is positioned as such, including by way of its higher price tag.  Despite capitulating to market demand and producing a Bordeaux blend (instead of sticking to his beloved Rhone varietals), the wine easily maintains his characteristic style of rich, dense and near-sweet fruit with searing tannins and oak influence all of which are kept in check with tight control and finesse, exhibiting grace and balance of the epic components he put together.  Only now coming together more than a year from release, the wine is ripe and dense with highly extracted black forest fruits including blackberries, cassis, black currents, loads of ripe black cherries and tart raspberries together with earthy minerals, rich chocolate, freshly rolled cigars, sweet cedar, plenty of black pepper, hints of grilled meat with robust tannins that have only now begun to slightly recede while still providing sufficient coverage to the extracted fruit and toasty oak.  Still early to be opening this wine, if you do I’d give it an hour or so to open or better yet, six more months in the bottle before opening and enjoying through 2022 and quite likely, longer.

Only Available in the US

american-wine

I have long maintained a page on this site dedicated to those special wines that were only available in Israel and I felt were worth bringing back  to the US, either for long-term cellaring purposes or simply to enjoy.  As the geographic scope of readership has continued to expand, a significant number of readers are located in Israel where many of the world’s greatest wines aren’t available (and many that are technically available, are only available at stratospheric pricing retail pricing making it more economical to fly to the US to buy them than to purchase them in a local Israel shop).

As a result, I have set forth an initial list of wines that are available in the US and worth your time, consideration and hard-earned shekels.   I note that a number of these are boutique wineries that are only available directly from the producer and may be more difficult to track down (i.e. Hajdu and Four Gates).  I have listed all of the wineries that are generally available in the US and not in Israel and underneath each such winery, a few of their wines I feel are particularly worth seeking out.  Some of these wineries produce an enormous number of wines (i.e. Hagafen and Herzog) making it unrealistic to note every one of their offerings I recommend.  For additional suggestions follow the individual links or use the search button above.

Enjoy, Happy Hunting and Safe Traveling!

Agua Dulce
Agua Dulce, Zinfandel, 2010

Bokobsa Selection, Sancerre, 2012

Château Guiraud, Sauternes 1er Cru, 2001
Château Léoville Poyferré, Saint Julien, 2005
Château Les Roches de Yon Figeac, 2012
Château Moulin Riche, 2011

Capcanes
Capcanes, Flor la Flor, 2011
Capcanes, Peraj Ha’Abib, 2012

City Winery
City Winery, Ein Sof, Pinot Noir, 2011
City Winery, Reserve, Malbec, 2012

Covenant
Covenant, Cabernet Sauvignon, 2012
Covenant, Solomon Lot 70, Cabernet Sauvignon, 2010

Domaine Roses Camille
Domaine Rose Camille, Pomerol, 2005 & 2006 (2005)
Domaine Roses Camille, Echo de Camille, 2011

Elvi
Elvi, Clos Mesorah, 2013
Elvi, Herenza, Rioja, Reserva, 2009

Four Gates
Four Gates, Chardonnay, 2011
Four Gates, Merlot, 2011

Goose Bay
Goose Bay, Blanc de Pinot Noir (Rosé), 2014

Hagafen
Hagafen, Dry Riesling, 2013
Hagafen, Late Harvest, Sauvignon Blanc, 2008/2009
Hagafen, Prix, Mélange, 2009

Hajdu
Hajdu, Grenache, 2013
Hajdu, Makom, Grenache Blanc, 2013/2014
Hajdu, Petite Sirah, 2013

Herzog
Herzog, Special Reserve, Cabernet Sauvignon, Clone Six, 2009
Herzog, Special Edition, Petite Sirah, Prince Vineyard, 2012
Herzog, Special Reserve, Single Vineyard, Cabernet Sauvignon, Dry Creek, 2012

Porto Cordevero
Porto Cordevero, Ruby Port, n.v
Porto Cordevero, LBV, 2004 & 2005

Porto Quevedo, Ruby Port, n.v.

Shirah
Shirah, Bro-Duex, 2013

Vignobles David
Vignobles David, Le Mourre de L’Isle, Cotes du Rhone, 2012
Vignobles David, Le Mourre de L’Isle, Reserve, Cotes du Rhone, 2012
Vignobles David, Les Masques, Châteauneuf-du-Pape 2012